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Dylan Dog#74
Cover: Angelo Stano

Dylan Dog #74

Nov 1992 · Sergio Bonelli Editore · 2300 ITL
🌐 Italian edition · synopsis shown in English
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“Il lungo addio”
★ 1st appearance — Marina Kimball
About this Issue

Dylan Dog #74, 'Il lungo addio' (November 1992), stands as one of the most formally daring issues in the series' history precisely because it abandons the genre it was built on: there are no monsters, no murders, no supernatural investigation — only the quiet devastation of lost youth and unrequited love. The issue introduces Marina Kimball, arguably Dylan's most emotionally resonant love interest, and marks the sole occasion in the entire run of the series where Groucho utters not a single joke, a structural choice that signals to readers, before a word of plot has unfolded, that the story operates in an entirely different register. Recognized across Italian comics criticism and fandom as one of the canonical 'essential episodes' of the Sclavi era, it also functions as a key biography issue — Dylan recovers his revolver (the Bodeo modello 1889) and glimpses the phantom galleon for the first time — embedding it firmly within the series' long-form mythology. Its capacity to speak to adolescent grief and the irreversibility of time has given it a cross-generational staying power rare for any monthly genre comic, earning it repeated reprint, a full remake, a deluxe hardcover edition, and an enduring place at the top of reader and critical rankings of the best Dylan Dog stories.

writer Tiziano Sclavi · writer Mauro Marcheselli · artist, inker Carlo Ambrosini · letterer Piero Ravaioli · cover Angelo Stano

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History

The story originated from a plot outline ('soggetto') by Mauro Marcheselli — his second contribution to the series — which series creator Tiziano Sclavi then shaped into a full screenplay; Carlo Ambrosini provided the interior art and Angelo Stano painted the cover. Sclavi's editorial framing in the issue's 'Club dell'Orrore' column positioned the story almost as a deliberate gift to the series' female readership, an unusual self-aware gesture for a horror monthly at the height of its commercial peak. Ambrosini made a distinctive artistic choice, rendering the adolescent flashback sequences in soft, watercolor-like grey washes that contrast with the starker black-and-white inking of the present-day scenes — an approach that was subsequently lost in early colorized reprints. The back cover of the first-edition issue carries an advertisement for the Dylan Dog & Martin Mystère one-shot 'La fine del mondo,' situating #74 at a moment when Bonelli was actively expanding its shared-universe publishing strategy.

Trivia · 8 facts

  • Title: 'Il lungo addio' ('The Long Goodbye') — on sale November 1992, Sergio Bonelli Editore, 94 pages.
  • Credits: plot by Mauro Marcheselli, screenplay by Tiziano Sclavi, interior art by Carlo Ambrosini, cover painting by Angelo Stano.
  • First and defining appearance of Marina Kimball, Dylan's teenage first love from the fictional seaside town of Moonlight; she is revealed to have died by suicide before the story's present-day events begin, appearing to Dylan as a ghost.
  • The issue is one of the key biography entries for Dylan Dog cited across both the Italian Wikipedia and the Sergio Bonelli Editore Fandom wiki, alongside #1, #7, #25, #43, and #100, as an installment that reveals essential backstory about the protagonist.
  • Groucho appears but delivers no jokes — the only time in the entire series' regular run that this occurs — functioning as a narrative signal that the story exists outside its usual tonal reality.
  • Dylan finds his revolver (the Bodeo modello 1889) and sees the phantom galleon for the first time in this issue, two recurring series elements whose origins are established here.
  • Reprint history is extensive: Prima Ristampa (September 1995), Oscar Mondadori 'Tutte le donne di Dylan Dog' (April 1996), Seconda Ristampa (July 1997), Collezione Book (July 2002), Grande Ristampa #25 (October 2010), Collezione storica a colori #25 (August 2013), 'Il Dylan Dog di Tiziano Sclavi' #24 (April 2019 — final volume of that deluxe series), and a hardcover Libri Dylan Dog cartonato (October 2024); a standalone remake, 'Ancora un lungo addio,' was scripted by Paola Barbato with art by Carmine Di Giandomenico.
  • The title borrows directly from Raymond Chandler's novel 'The Long Goodbye,' consistent with Sclavi's practice of embedding literary and pop-cultural allusions throughout the series.

Cast · 4 characters

Full credits

artist, inker Carlo Ambrosini
cover pencils, inks Angelo Stano

Reprints

Reprinted in Dylan Dog #3 (2001), Dylan Dog #25, Dylan Dog #8

Key issues in Dylan Dog

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