Civil War Chronicles #8
In "The War at Home Part Four," Spider-Man makes a bold move, turning against Iron Man's side in the escalating Civil War. As the New Thunderbolts close in, he’s overpowered—only to be pulled from the fight by the Punisher, whose presence throws the conflict into new, dangerous territory. With Captain America now planning to use the Punisher to raid the Baxter Building and steal the plans for Number 42 in the Negative Zone, Daredevil’s capture marks a turning point in the battle for control. Written by Mark Millar and illustrated by Steve McNiven, with inks by Dexter Vines and colors by Morry Hollowell, the issue’s cover by Ron Garney captures the intensity of a war that’s tearing the Marvel Universe apart.
In "The War at Home Part Four," Peter confronts the cost of his choices as he and Iron Man visit Reed Richards, who transports them to Number 42—the Negative Zone prison holding unregistered heroes. Torn by regret and struggling to reconcile his actions with his family, Peter finds himself facing Iron Man in a moment that threatens to shatter everything he thought he knew.
In "null," Spider-Man makes a desperate move, turning his back on Iron Man's side of the Civil War and seeking refuge with the Punisher—only to be hunted by the New Thunderbolts. When Captain America enlists the Punisher to infiltrate the Baxter Building and steal the plans for Number 42 in the Negative Zone, the stakes rise as Daredevil is captured and taken to the prison.
In "The War at Home Part Five," Spider-Man, reeling from his clash with Iron Man, races through the city’s underbelly to protect Aunt May and Mary Jane, relocating them to a rundown motel to keep them safe. With the nation watching, Peter takes a bold stand on live television, confessing he was wrong to support the Superhuman Registration Act—leaving Iron Man furious and the conflict deeper than ever.
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↩ Reprints Civil War #5 (2006), The Amazing Spider-Man #535 (2006), The Amazing Spider-Man #536 (2006)
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