Betty and Veronica Comics Digest Magazine #54
☆ Be the first to review + Add to your collection — Join freeIn "Busy Signal," Betty and Veronica launch a quirky new trend by turning everyone into pendant-wearing initials, but when Archie’s charm ends up on a yak, chaos ensues—much to Jughead’s bemusement. Dan De Carlo’s playful art brings the chaos to life, while Alison Flood’s cover captures the absurdity in bold, expressive lines.
In "Practice Practice," Coach Kleats drills the boys with extra basketball practice, but Betty, Veronica, and the other girls have other plans—joining in and quickly showing just how much they’ve got game. The court becomes a surprising showdown of skill, with the girls outplaying the boys in a way no one saw coming.
In "Mark My Words," Betty and Veronica spark a playful chaos by crafting personalized pendants with everyone’s initial, turning Riverdale into a game of initials and identity. Archie and Jughead protest the trend, but their objections backfire when Archie’s pendant ends up on a confused yak—leaving the town’s most iconic duo tangled in a case of mistaken animal ownership.
In "In a Brain Vein," Mr. Lodge proudly introduces his new think tank staff to Archie and Veronica, only to discover their genius is mostly in choosing the day’s lunch.
When Archie and his friends launch a surprise snowball attack on their girlfriends mid-snowman construction, the tables turn fast—Jo and her crew aren’t about to be outdone. With Veronica’s trusty snowmobiles at their disposal, the girls launch a counteroffensive that’s as slick as it is snowy.
In "The Vocal," Archie’s offbeat demo—recorded while chewing gum, rendering the lyrics unintelligible—unexpectedly becomes a hit after a DJ spins it. As the song gains popularity, its strange appeal draws scrutiny from a state commission determined to ban it, turning a simple mistake into a sudden cultural flashpoint.
In "Love Veronica Style," Jughead delivers a darkly comic warning to Archie about the perils of marrying Veronica, painting a hilariously grim vision of Archie as a perpetually overwhelmed husband and Veronica as a domineering, unrelenting wife. The story plays on the classic dynamic with a twist, using exaggerated humor to explore what life might look like if Archie’s romantic dreams came true—complete with a surprisingly vivid (and slightly terrifying) glimpse into a future that’s less dreamy and more full of chores.
When Betty wins a contest to become the face of a popular soap brand, Veronica’s envy boils over—until she finally snaps and hands the role to her rival. But the spotlight isn’t all sparkle and glamour, and Veronica soon learns that fame in the soap world comes with more than just a pretty face.
In "Reaction Action," Archie finds himself in the front row of a live TV show’s studio audience, only to spark a heated exchange with the man beside him—only to discover the man is an actor hired to provoke reactions. The moment turns from awkward to unpredictable as the line between real and staged begins to blur.
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Reprints
↩ Reprints Archie's Joke Book Magazine #37 (1958), Archie's Joke Book Magazine #41 (1959), Pep #164 (1963), Archie's Joke Book Magazine #132 (1969), Jughead's Jokes #11 (1969), Jughead's Jokes #17 (1970), Pep #264 (1972), Archie and Me #55 (1973), Archie's Pals 'n' Gals #77 (1973), Archie's Joke Book Magazine #196 (1974), Pep #295 (1974), Josie and the Pussycats #80 (1974), Pep #302 (1975), Jughead's Jokes #48 (1976), Archie at Riverdale High #61 (1979), Archie's Girls Betty and Veronica #302 (1981), Betty and Me #156 (1987), Archie's Girls Betty and Veronica #347 (1987), Betty's Diary #7 (1987), Betty and Me #157 (1987), Everything's Archie #129 (1987)
Reprinted in Betty & Veronica (Jumbo Comics) Double Digest #64 (1997)
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