Best of Vampirella Masters Series Omnibus #[nn]
☆ Be the first to review + Add to your collection — Join free"Ascending Evil - Part One" from the Best of Vampirella Masters Series Omnibus (2017) delivers a gripping chapter in Vampirella’s ongoing struggle, written by Kurt Busiek and illustrated by Louis La Chance, with inks by John Nyberg and letters by Kevin Cunningham. When the serum that keeps her bloodlust in check is cut off, Vampirella is forced into a desperate transformation, only to confront the consequences of her choices and a shocking betrayal. The cover, by Amanda Conner, captures the tension of a moment that reshapes her path.
In "Vampirella Lives Part 1," occult detective Sam Feaveryear arrives at Queen Hill Cemetery to find Vampirella reborn from the grave, her return marked by a haunting revelation. As Sam helps her piece together the world she’s returned to, Vampi shares the truth of her death and her journey through the afterlife—where she met her mother, Lilith, only to witness her murder moments before her own resurrection. Letters by Alphabet Soup add a chilling precision to the story’s eerie tone.
In "Chapter One: The Lion and the Lizard," U.S. Senator Adam Van Helsing grapples with a decade of silence surrounding his father, Pendragon, and the mysterious absence of Vampirella, as the shadows of Washington D.C. grow thick with unseen threats. When the Unseelie Congress, led by the enigmatic Ethan Shroud, turns its gaze on a vulnerable schoolgirl named Chelsea, the city’s fragile peace begins to unravel.
In "Chapter Two: Unborn Tomorrow & Dead Yesterday," Senator Van Helsing’s secretary is murdered as a chilling message from unseen enemies. Ethan Shroud, haunted by memories of his past triumph over Vampirella, now manipulates Chelsea under the guise of family—drawing her into a web of influence, all while sending her a Vampirella costume that carries more weight than any gift should.
In "Chapter Three: Morning in the Bowl of Night," Shroud’s gang, led by Toomey, sets out to kidnap Chelsea—only to run afoul of the enigmatic Miss Normandy. When the attack begins, the elderly woman reveals a terrifying secret, her bite turning the tide with a sudden, shocking transformation.
In "Chapter Five: Monkey Wine (That Which Enlivens)," Vampirella grapples with the consequences of her past choices as she confronts the fallout from her desperate use of a memory-erasing drug, leaving her transformed into the elderly Ella Normandy. When Adam reveals his father’s death and her failure to keep a promise, the weight of her actions presses hard—just as Shroud makes a chilling sacrifice to unleash the ancient Bane.
In "Chapter Six: Lion Wine (That Which Irritates)," Vampirella races to find Chelsea, unaware that Shroud has already claimed her. As Bane’s haunting song spreads through Washington D.C., the city descends into chaos, its people turning on one another in a frenzy of paranoia and violence.
In "Chapter Seven: Sheep Wine (That Which Stupifies)," Bane’s hypnotic song draws the crowd into a trance, each soul slipping away to the night’s unseen grasp. Vampirella arrives just as Adam is pulled into the darkness, her arrival a sudden spark in a world drowning in silence and surrender.
In "Chapter Eight: Swine Wine (That Which Brutalizes)," Vampirella confronts the lingering threat of Shroud after freeing Adam and Pendragon from Bane’s grip, but her victory is incomplete—Chelsea remains in captivity, her fate still uncertain. The story unfolds with tense, visceral dread, as the line between control and chaos blurs in a world where even the most desperate alliances may not be enough.
In "Chapter Nine: Wide the Gate and Broad the Way," Vampirella, Adam, and Pendragon track down Chelsea, only to be thrown into a nightmare when Adam’s long-dead father reappears—alive and eerily unchanged. The reunion feels too perfect, too orchestrated, as if the entire encounter is a thread in Shroud’s deeper, more sinister design.
In "Chapter Ten: New Wine in Old Bottles," Vampirella and her crew bring their rescued allies to the Van Helsing estate, seeking refuge—but tension mounts as Shroud’s influence over Conrad grows more apparent. Meanwhile, Chelsea remains fixed at the window, her gaze locked on the darkening yard, her unease a quiet counterpoint to the storm gathering within.
In "Chapter Eleven: Into the Wilderness," while the others rest, Shroud manipulates Conrad Van Helsing to open the door to the Etherea—dream-born entities slipping through the veil of sleep. The line between nightmare and reality blurs as the wilderness within the mind becomes a battleground.
In "Chapter Twelve: Sheep's Clothing," Conrad finds himself caught between loyalty and possession as Shroud's influence twists his mind. When he fights back against the control, the moment of resistance brings a sudden, shocking turn—Chelsea, now a vampire, strikes, her bite sealing a fate neither she nor Conrad could have foreseen.
In "Chapter Thirteen: The Seat of Desolation," Chelsea flees to Shroud's catacombs after killing Adam's father, forcing Vampirella, Adam, and Pendragon to follow. As the chase unfolds through the dark, ancient tunnels, the tension escalates when Adam drives a stake through Chelsea—leaving the full weight of the moment hanging in the silence.
In "Chapter Fourteen: Insolence and Wine," Shroud's dark scheme to destroy Nuberous unravels when Vampirella breaks free, turning his trap against him. As Nuberous seizes control of Shroud’s body, the line between host and invader blurs, opening a dangerous path back to Earth.
In "Chapter Sixteen: Close at the Ear of Eve," Pendragon fights to reclaim his mind from the pervasive influence of Nuberous, breaking free just as he awakens Adam—whose stirring sets off a chain reaction that finally rouses Vampirella. With Nuberous’s web of control unraveling, the fragile balance of power begins to shift, but the true cost of freedom remains unknown.
In the hushed, crimson-lit depths of a vampire bar, legends swirl as bloodsuckers trade tales of the fabled Vampirella—until one of them quietly reveals a truth that sends the room still: among them, disguised in shadow and silence, is the very woman they’ve been speaking of.
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Reprints
↩ Reprints Vampirella: Morning in America #1 (1991), Vampirella: Morning in America #2 (1991), Vampirella: Morning in America #3 (1992), Vampirella: Morning in America #4 (1992), Vampirella Lives #1 (1996), Vampirella Lives #2 (1997), Vampirella Lives #3 (1997), Vampirella: Blood Lust #1 (1997), Vampirella: Blood Lust #2 (1997), Vampirella / Dracula: The Centennial #[nn] (1997), Vampirella Monthly #1 (1997), Vampirella Monthly #2 (1997), Vampirella Monthly #3 (1998), Vampirella #1 (2001), Vampirella #2 (2001), Vampirella #3 (2001), Vampirella Revelations #0 (2005), Vampirella Revelations #1 (2005), Vampirella Revelations #2 (2006), Vampirella Revelations #3 (2006), Vampirella Monthly #18
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