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Beauty and the Beast #2 cover
Cover: Bill Sienkiewicz

Beauty and the Beast #2

Feb 1985 · Marvel · 0.75 USD; 0.50 GBP; 1.00 CAD
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“Heartbreak Hotel”
★ 1st appearance — Horns
About this Issue

Beauty and the Beast #2 is the pivotal middle chapter of Ann Nocenti's four-issue 1984–85 limited series — one of Marvel's earliest extended explorations of what it actually felt like for a mutant to lose a mainstream career to public prejudice, following directly from the events of the Dazzler: The Movie graphic novel. Where issue #1 established the threat, this chapter delivers the series' emotional and thematic core: the Heartbreak Hotel as a sanctuary for outcast mutants, the blossoming romance between Dazzler and Beast that gave the miniseries its title, and the horror of the gladiatorial arena as an ugly mirror of how society forces 'othered' people into spectacle. The issue also marks the first appearances of several Gladiators characters — Ivich Williamson, Horns (Jon Morse), Link (Lorne Lincoln), and the Howlers — figures significant enough to carry over into Chris Claremont's New Mutants arc beginning in issue #29, cementing this series' place as a connective strand in the mid-1980s X-Men line.

In "Heartbreak Hotel," Dazzler struggles to regain control of her powers while recovering at a mutant sanctuary under Beast’s care, their bond deepening amid quiet moments and shared vulnerability. When Alexander Flynn arrives offering a chance to perform, Beast reluctantly follows as Dazzler steps into the spotlight—only to discover the so-called "show" is a deadly spectacle masked as entertainment. The issue’s emotional core and escalating tension are brought to life by Ann Nocenti’s sharp writing and Don Perlin’s expressive art, with Bill Sienkiewicz’s striking cover capturing the story’s haunting allure.

writer Ann Nocenti · artist Don Perlin · inker Kim DeMulder · colorist Petra Scotese · letterer Joe Rosen · cover Bill Sienkiewicz

ComicBooks.com Value

Our Model is In Beta
Raw (VF) $8
CGC 9.8 · 5 in census $53
CGC 9.6 · 2 in census $24*
CGC 9.4 none in existence
CGC 9.2 none in existence
CGC 9.0 none in existence
CGC 8.5 · 1 in census $20*
* estimate — limited direct-sales data at this grade
Our model’s value — refined as new sales data arrives · CGC census counts shown where available
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History

The series was written by Ann Nocenti while she was simultaneously serving as an assistant editor at Marvel under Carl Potts, working across titles like The Defenders, The Incredible Hulk, Doctor Strange, and The Thing — making Beauty and the Beast one of her earliest major writing assignments before she became a household name for her later Daredevil run. Interior pencils were handled by Don Perlin with inks by Kim DeMulder, while all four covers across the series were supplied by Bill Sienkiewicz, whose distinctive painted style gave the books a visual weight that stood apart from the interiors. Editor Michael Higgins shepherded the series under editor-in-chief Jim Shooter. The miniseries was explicitly conceived as a direct continuation of Marvel Graphic Novel #12 (Dazzler: The Movie), picking up the consequences of Dazzler's public outing as a mutant and channeling the anti-mutant social anxieties that were driving the X-books' commercial dominance at the time.

Trivia · 8 facts

  • Cover date: February 1985; the series ran December 1984–June 1985 as a four-issue limited series.
  • Written by Ann Nocenti, penciled by Don Perlin, inked by Kim DeMulder, with a cover by Bill Sienkiewicz — the same creative team across all four issues.
  • First appearances in this issue: Link (Lorne Lincoln), Ivich Williamson, Horns (Jon Morse), Snaketongue (Terra Poole), the Howlers (Bouncer, Barker, and Byter Hightower) — multiple Gladiators debuting in a single chapter.
  • The issue's story, titled 'Heartbreak Hotel,' establishes the Heartbreak Hotel as a mutant sanctuary run by the mysterious Kate, and shows Dazzler and Beast beginning a romantic relationship while she recovers from drug-induced power instability.
  • Doctor Doom appears in a Latveria subplot, observing Alexander Flynn — who claims to be Doom's son — with increasing suspicion after learning Flynn has hired Dazzler for his underground theater.
  • The climax reveals Flynn's 'underground theater' to be a mutant gladiatorial arena; Dazzler witnesses a combatant killed in the ring, and despite Beast's pleas she remains with the Gladiators, her judgment clouded by Flynn's hypnotic influence and a drugged drink administered by Max Rocker.
  • The Gladiators and their arena carried directly into Chris Claremont's New Mutants #29–32 (1985), where the same characters — including Ivich Williamson — appear under the Shadow King's control, making this issue an important node in 1980s X-Men continuity.
  • The complete Beauty and the Beast miniseries (#1–4) was later collected in Essential Dazzler Vol. 2 (2009), which also reprints Dazzler #22–42, Marvel Graphic Novel #12, and Secret Wars II #4.

Cast · 11 characters

Full credits

artist Don Perlin
colorist Petra Scotese
letterer Joe Rosen
cover pencils, inks Bill Sienkiewicz

Reprints

Reprinted in Coleccíon Extra Superheroes #12 (1985), Limited Serie #4 (1987), Un Récit Complet Marvel #15 (1987), Essential Dazzler #2 (2009), X-Men: Beauty & the Beast #[nn] (2012), X-Men: Beauty & the Beast #98 (2012), Essential Defenders #7 (2013), Defenders Epic Collection #8 (2018), Marvel Masterworks: Dazzler #4 (2022), Dazzler Omnibus #[nn] (2024)

Key issues in Beauty and the Beast

Variants (2)

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