Coleccíon Extra Superheroes #12
In "Capítulo 1º La Bella y la Bestia Parte 1," Bestia and Dazzler find themselves drawn together despite Hank’s disapproval of her gladiatorial fights. When Bestia uncovers a hidden lab where Flynn and Longride have been dosing Dazzler with a serum that destabilizes her powers, he takes matters into his own hands—injecting the formula himself. The issue builds to a brutal showdown in the arena, where Dazzler faces a transformed Bestia, and the crowd demands blood. Written by Ann Nocenti and Francisco Pérez Navarro, with striking art by Don Perlin and inks by Kim DeMulder, and a dynamic cover by Bill Sienkiewicz, this 1985 Spanish-language issue delivers high stakes and emotional tension in a story that sets a gripping tone for the arc.
In a sun-drenched Hollywood of 1985, The Beast—on leave from the Defenders—heads to the city to reunite with the Wonder Man, drawn by a mysterious thread. When Dazzler, struggling to rebuild her life after a shattered career, agrees to a risky role in an underground theater production, her powers flare uncontrollably, vanishing mid-performance. The Beast follows her trail through glittering parties and hidden stages, determined to protect her—no matter the cost.
In "Capítulo 2º Hotel Rompecorazones," Dazzler struggles to regain control of her powers while under the watchful eye of the Beast at a mutant rehabilitation retreat. As her bond with him deepens, Alex Flynn arrives, offering to help her harness her abilities in exchange for a performance—leading her into a hidden arena where mutants fight for survival. The moment she steps onto the stage, the truth of the hotel’s dark purpose begins to unfold.
In "Capítulo 3º La Hora del Show," Bestia and Dazzler grow closer despite Hank’s disapproval of her arena fights. When Bestia uncovers a hidden lab where Flynn and Longride have been dosing Dazzler with a serum that destabilizes her powers, he takes the substance himself. In the arena, Dazzler faces off against a monstrous, transformed Bestia in a brutal clash that pushes both to their limits—leaving the crowd demanding blood, and Flynn ready to deliver.
In "Capítulo 4º Jaque Mate," the enigmatic Dr. Muerte arrives to find Hugo Longride dead in Flynn’s hands—only to reveal that Longride was a robot built to watch Flynn, who insists he is Muerte’s son. As Flynn declares his intent to lead the mutant community in a suicidal assault on Latveria, Max intervenes by freeing the Beast and Dazzler, sparking a rebellion. With the arena now under mutant control, they turn it toward a new purpose, while Dazzler and the Beast part ways—leaving the future of their alliance, and Flynn’s true allegiance, uncertain.
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↩ Reprints Beauty and the Beast #1 (1984), Beauty and the Beast #2 (1985), Beauty and the Beast #3 (1985), Beauty and the Beast #4 (1985)
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