A complete issue · 16 pages · 1893
Judge — June 10, 1893
# "Sassiety" Is Happy This Judge magazine cover from June 10, 1893 satirizes the visit of Spanish royalty to America. The two figures represent **Cholly Snob** and **Arthur Dudley**, recurring satirical characters representing upper-class American social climbers. The joke centers on their delight at receiving invitations to society events honoring Spanish nobility—apparently the **Duke of Veragua**, **Prince Antonio d'Orleans**, the **Duke of Tamames**, and the **Infanta**. Dudley's quoted remark mocks American social aspiration: he's thrilled that distinguished European royalty would visit, implying American "sassiety" (society) gains legitimacy through European approval. The satire targets American nouveau riche pretentiousness and their desperate desire for Old World validation of their social status.
# "Saturday Night" Cartoon Analysis The main illustration depicts a working-class scene—likely a saloon or shop—where one man asks another "Say, Chris, what does yer do wid dem big glasses?" The response jokes about not affording liquor after midnight closing, so "de boys buys one oder 'bout dem minutes before de time as 'day lasts all night.'" This appears to satirize late-19th-century liquor laws and working-class drinking culture, using exaggerated dialect ("yer," "dem") typical of Judge's period humor. The cartoon mocks both the artificial constraints of closing hours and men's resourcefulness in circumventing them—a commentary on Prohibition-era tensions between regulations and actual behavior. The surrounding editorial content addresses unrelated political topics (Chinese immigration, election politics), making this a typical Judge issue mixing visual satire with commentary.
# Analysis of Judge Magazine Page 361 This page contains several unrelated satirical sketches typical of Judge's format: **"Not in Luck"** depicts a woman discussing marriages and financial gain—mocking women's mercenary attitudes toward husbands. **"The Wreck"** shows a piano mishap, with the joke hinging on mistaking a keyboard for something else (unclear without clearer context). **"The Art of Killing"** discusses electrocution as capital punishment, likely referencing contemporary debates about this relatively new execution method. **"The Kaiser"** features a caricatured German figure (suggesting pre-WWI or WWI-era content), with commentary on his perceived arrogance. **"Full to the Brim"** presents a brief tax joke about bicycles. **"A Misapplied Gift"** concludes with women discussing an inappropriate gift involving "jockey-club" (unclear reference). The page reflects Judge's typical mix of domestic humor, political commentary, and topical satire.
# Judge Magazine Page Analysis This page from *Judge* contains multiple short satirical pieces typical of the magazine's format: **"A Chilly Arrival"** mocks a military officer returning from China after six years, expecting his romantic gesture (a doll gift) to delight a young woman—who instead sarcastically demands diamonds, having moved on completely. **"A Water-Spout"** and **"A Natural Idea"** are brief joke exchanges about children's innocent observations (a schoolmaster's mouth contents, a girl noticing her father's hair loss resembles moth damage). **"Two Summers"** is a sentimental poem about young lovers reuniting—the joke being they can't remember each other's names, but return the next year with a baby, suggesting they eventually reconciled. **"No Place to Go"** satirizes Prohibition-era drinking culture, suggesting unemployed men now lack places to congregate now that saloons are closed. The remaining pieces are minor gags about social awkwardness, mistaken identity in newspaper photos, and domestic servants. The overall tone reflects *Judge*'s characteristic blend of romance, domestic life, and social commentary through humor.
