Life — November 9, 1922 — page 21: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Owing to the time it takes to print Lire, readers should verify from the daily newspapers the continuance of the attractions at the theatres mentioned. More or Less Serious The Cat and the Canary. National—De- lightfully frightful. East of Suez. Eltinge—Florence Reed in an emotional debauch all over China. The Faithful Heart. Maxine Elliott’s— Sentimentality at its best. Square—Reviewed in The Fool. Times this issue. The Insect Comedy. Ei Nias St— To be reviewed next week. The Last Warning. Klaw—To be re- viewed next week. Loyalties. Gaiety—A model play for playwrights and an absorbing experience for anyone. Malvaloca. Forty-Eighth St.—Jane Cowl i a colorful Spanish drama, with the Equity "layers. The Monster. Thirty-Ninth St—You may laugh or you may die of fright. Persons Unknown. Punch and Judy—To be reviewed next week. Rose Bernd. Longacre — Hauptmann’s peasant tragedy, splendidly played by Ethel Barrymore. R. U. R. Garrick—Intensely interesting and startling glances into the future. Six Characters in Search of an Author. Princess—To be reviewed later. La Tendresse. Empire—Henry Miller and Ruth Chatterton in just what you would expect from those French. To Love. Bijou—Reviewed in this issue. Whispering Wires. Forty-Ninth St.— Murder mystery over the telephone. Comedy and Things Like That Abie’s Irish Rose. about Jews and Irish. The Awful ‘Truth. Henry Miller—Ina Clare and Bruce MeRae in very nice divorce proceedings. Republic—Old stuff Banco. Rits—French comedy with a touch of Clare Kummer, and Lola Fisher and Alfred Lunt. Her Temporary Husband. Frazee—Wil- liam Courtenay indulging in’ ancient laugh- getters. <iki. Belasco—A startling characterization of a Parisian cocotte by Lenore Ulric. _ The Old Soak. Plymouth—Don Marquis’ invratiating souse in stereotyped surround- ines. mm — Potash and stand. Partners Again. Sel: Perlmutter back at the ol Shore Leave. F Lyceum—Regulation senti- mental dish, with ‘rances Starr. So This is Londoni Hudson — Anglo- American amity carried to burlesque. . Swifty. Playhouse—A prize-fighter hero in the usual sort of thing. . Thin Ice. Comedy—Percival Knight in a ~~ play about the young blood playing ler. The Torch Bearers. Vanderbilt—Immen- sely amusing for those who know amateur dramatics. Why Men Leave Home. bed-room farce with a moral. Morosco — A Eye and Ear Entertainment Better Times. Hippodrome — Let your little boy take you, Chauve-Solris. Century Roof—The third and best bill of, these Russian vaudeville artists, The Gingham Girl. Pleasant time, thank you. Earl Carrolt — A Greenwich Village Follies. Shubert— Grand to look at, with occasional hearty though vulgar laughs. The Lady in Ermine. Ambassador—Mu- sical comedy on an elaborate scale. Molly Darling. Liberty—Jack Donahue furnishing good comedy, and a good enough general show to back him up. Box—To be Music Box Revue. Music reviewed next week. Fulton—Very dressy. Orange Blossoms. Passing Show of 1922. Winter Gorden— You know what it is. Queen o'Hearts. George M. Cohan’s—Re- viewed in this issue. Sally, Irene and Mary. Casino — Eddie Dowling in what the people like. Springtime of Youth. Broadhurst—To be reviewed next week. The Yankee Princess. Knickerbocker— Superior music, imported. Ziegfeld Follies. New Amsterdam—Well, there’s Will Rogers—and Will Rogers. INTIMATE GLIMPSES OF AMERICAN GENERALS OF INDUSTRY No. 50. Mr. Wrigley catches the Wrigley Special into town comicbooks.com