Life, 1922-04-13 · page 21 of 34
Life — April 13, 1922 — page 21: what you’re looking at
What you’re looking at
This cartoon satirizes wealthy American industrialists ("generals of industry") by depicting them as tourists exploring uncharted territory from a map. The central figure, dressed formally, studies a large map while surrounded by surveying equipment, suggesting these business leaders treat the landscape of commerce and society as unexplored terrain requiring mapping and conquest. The satirical point appears to be that despite their power and prominence, these industrialists approach their domains with the attitude of colonial explorers—detached, analytical, treating their enterprises as distant lands rather than integrated parts of society they inhabit. The "uncharted country" reference mocks their disconnect from ordinary life. This reflects early-20th-century American skepticism toward industrial magnates' social awareness and responsibility during the Gilded Age debates.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Owing to the time it takes to print Lire, readers should verify from the daily news- papers the continuance of the attractions at the theatres mentioned. More or Less Serious Back to Methuselah. Garrick.—Take the week off and catch up on your sleep. e Bat. Morosco.—Murder mystery which must know about by now. dog Drummond. Knickerbocker—Indulge emental emotions of terror, hate and hero- p in one grand orgy. Cat and the Canary. National.—First- ceps. First Fifty Years. Princess——A rather sant but interesting union followed through honeymoon to golden wedding. Clare and Tom Powers the only characters, Green Ring. Neighborhood.—To be re- | next week, Hairy Ape. Provincetown. — Eugene powerful drama of the descent of man ke-hole to zoo. He Who Gets Slapped. Fulton—A remark- ably fine presentation of Andreyev’s tragedy of the cireus, Hindu. Comedy.—Reviewed in this issue. Lawful Larceny. Republic—Will make no dramatic history but might make an evening's entertainment. The National Anthem. Henry Miller’s.—Laur- ette Taylor in an earnest plea to sinners of the present generation, The Nest. Forty-Eighth St—An excellent cast in one of the best plays of the season. The Pigeon. Frasee—A pleasantly philosophi- cal musing by Galsworthy. Your Woman and Mine. Klow.—It wouldn’t make any difference if you never saw it. Comedy and Things Like That Captain Applejack. Cort.—Burlesque romance hilariously done by Wallace Eddinger. The Czarina, Empire—Doris Keane in a pleasint survey of some of the loves of Catherine the Great, ne Demi-Virgin, Eltinge-—By the author of “Lavlies’ Night.” The Dover Road. Bijou.—Delightful English comedy with Charles Cherry playing the lead. The First Year. Little—American home-life immortalized. The French Doll. a play Lyceum.—Irene Bordoni in like many others. Jenny Jones. Just. Married, Nora Bayes.—Bed-room farce mad funny by Lynne Overman. Ritz.—To be reviewed later. Kiki. Belasco—A remarkable characterization of a cocotte by Lenore Ulric. Madeleine and the Movies. Gaicty.—George M. Cohan celebrating his withdrawal last year f the American stage. Mountain Man. Marine Elliott's—A play with Sidney Blackmer to buck it up. Rubicon, Hudson.—What a young girl not to know. Six-Cylinder Love. Sam H. Harris.—Ernest Truex and June Walker in an amusing assort- ment of trouble. To the Ladies! Liberty——Helen Hayes and Otto Kruger in a mixture of splendid satire and good, plain entertainment. The Truth About Blayds. Booth—A new Milne play which makes his third good one. Up the Ladder. Playhouse.—Ordi.ary enter- tainment with a moral. The ougl Voltaire. Plymouth—Historical drama out_of the old chest, with Arnold Daly playing Voltaire, Eye and Ear Entertainment Blossom Time. Ambassador—Excellent mu- sic, adapted from Franz Schubert. The Blue Kitten. Selwyn.—Joseph Cawthorn and Lillian Lorraine in the usual thing. The Blushing Bride. Astor.—Cecil Lean and Cleo Mayfield in the usual thing. Le Chauve-Souris. Forty-Ninth St—Russian entertainers in a naive presentation of old stuff in a pleasant manner. For Goodness Sake. the Astaires. Good Morning, Dearie. Globe. — Excellent all-around show, difficult to get into. Lyric-—Good dancing by The Hotel Mouse. Shubert.—Frances White sings. Just Because. flat. Marjolaine. Broadhurst.—“Pomander Walk” made into a charming musical play, with Peggy Wood to sing and Mary Hay to dance, The Music Box Revue. Music Box.—William Collier, Florence Moore, Joseph Santley, Hugh Cameron and lots of others in an expensive show which is worth seeing. The Perfect Fool. George M. Cohan’s.—Ed Wynn on the crest of the wave. The Rose of Stamboul. Century.—Spectacular comic opera, with Tessa Kosta and Jim Barton. Sally. New Amsterdam.—Just about the same, thank you. Tangerine. Casino.—Julia Sanderson just as sweet as can be. Earl Carroll’s.—Clean but very INTIMATE GLIMPSES OF AMERICAN GENERALS OF INDUSTRY No. 32. The Rand, McNally’s Sunday Stroll lands them in an uncharted country. comicbooks.com