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Judge, 1927-03-05 · page 22 of 34

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ee Sign on the dotted line.... as NOTICE TO JUDGE CONTRIBUTORS ENCLOSE no return postage when you submit Funnybones, Epilaughs, Toasts of the Day, Di: Labels or Liszie Labels to JubGe. And have no fear of rejection slips. Because those contributions that are not accepted will be promptly and neatly filed in the waste basket. The hundreds of Funnybones, Epilaughs and Lizsie La- bets received daily have forced this drastic policy upon arate envelopes, to the following departments: z. sword Pussle rd Puzzle Editor of Jupce. } Liasie Labels—Lizzie Label Editor of Junce. { Toasts of the Day—Toasts of the Day Editor of Jupcx. i Dissy Labels—Dizzy Label Editor of JuvcE. . 627 WEST 43d STREET NEW YORK CITY But for prompt attention, address manuscripts in sep- Always insist upon having ABBOTT'S Tonic Appetizer fr'52%ers’ BITTERS egy mail, 25¢ C. W. Abbott & Co., Balle, Md, 2 | = | | t shows just how far the Civil War and its rancors have faded into the legendary past that Buster Keaton should be able to act the Southern boy who puts one over on Northern troops and make it funny to us. I don’t know who wrote “The General,” but his choice of sides for his hero was a shrewd one. Had Buster been cast as a Northern boy who puts one over on Southern troops, while the picture would still nave been quite as funny to us, if not more so, it might have run up against a serious snag in Dixie. It is always much easier for the victor than for the vanquished to laugh at a joke on himself. Possibly the real test of the picture it is will come if and when it is shown in some Old Soldiers’ Home. Then it might be well to prepare for a barrage of canes and crutches. The title, “The General,” is the name of the quaint bulbous stacked, wood-burning locomotive JUDGING, ‘»e MOVIES* which Johnnie Gray (Buster Keaton) is driving on the Atlanta & Western, or some such weed- grown right-of-way, when the war breaks out. “The General” is almost as funny as its driver, which is meant as a compliment to both, and deserves quite as well of the Confederacy. Together they make a most amusing team. Ir it weren't for the presence of Chester Conklin, ““McFadden’s Flats” could be written off as a pretty tedious flop. Conklin to me is always amusing and as Jock McTavish, the Scotch barber, who switches off the electric light every time he turns for a moment from the customer he is shaving, he justifies his reputation. But Charlie Murray, who plays the réle of McFadden, belongs in a much more commonplace category of clowns. His performance lacks the remotest novelty of characterization or expression, which may be no more his fault Srour TueatricaL Person (engaging room)—Win- dow’s a bit small. emergency! Wouldn’t be much use to me in an Lanptapy—There ain’t goin’ to be any sich emergency! My terms fer actors is weekly in advance! —Lonpon Opinion comicbooks.com