Judge, 1923-05-19 · page 25 of 36
Judge — May 19, 1923 — page 25: what you’re looking at
A restored page from Judge, 1923-05-19. Page through the whole issue in the reader above.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Drawn by CuesteR Goutp, Northwestern, “They say he’s traveled quite a bit.” “Yes, he’s a floorwalker.” cy In Memoriam By Tom Irwin, Stanford ‘23 NOTHING i able; nothing unchanged. Groups di classes disperse, powers wane, customs diverge, forces recede. Even that venerable institution, the great Amer- ican parlor, is dead. Not a vestige of its former self remains. It has joined the revolution of evolution, The in vitable has years ago there hung from massive the brass-framed crayon studies ed ancestors; to-day the art calen- a thousand business firms hang in their place. Over-red roses and inflated pansies glare from picturesque back- grounds. The wall paper is unashamed. The competition is not keen. Fifty years ago there were four straight- backed chairs, each in the exact center of its particul, de of the room. There was a mighty table, too, hiding a in the rough rag carpet, mother’s contribution. The chairs are gone, to-day. They don’t in the parlor any more. But there beneath where the mantle nee hung with its profuse collection of ancient documents stands the phonograph. One of the multifarious “Blues” is on the dise. Sunday, no doubt. There is a rug, of cour: with more flowers on it. More cabbagi ike roses on a hideous yellow field. Fifty years ago there was a Bible on that table. Yes, that’s a mail-order cata- logue. The only page in it that isn’t well- thumbed is the one giving cut-rates on first class Bibles. Nothing is stable; nothing unchanged. The great American parlor is still Ameri- can, but it’s no longer a parlor. Drawn by CHARLES GOLDHAMER, Ontario College of Art ‘26. “Hello, Bill! What are you waiting for?” “I’m waiting till the bank closes. I want to a cash a check!” New Butter-Kist Machine Brings BIG Profits from SMALLER Investment! UTTER-KIST now offers a new and won- derfully improved line of Popcorn Ma- chines with the right model, exactly suited to the requirements of your own business. And best of all—there’s a beautiful, brand-new model that sells at half what former models cost! It’s the Gold Mine—and it’s a beauty. Mahogany-finished cabinet—gleaming glass sides—polished nickel parts. Takes up little room. Works automatically. Produces thirty 10-cent packages an hour. Has special compart- ment for peanuts—a chance for added profits. A better machine in every way! Pops more corn at same cost. And pops it under glass. No springs. Noiseless. Every part interchangeable. New and improved revolving electric sign. Butter-Kist Popcorn can make big profits for you. H.C. Wallace writes: “In one year we made a gross profit of $3484”. Many are making even more. And remember, out of every dollar’s worth you sell, you keep 65 cents as your profit! The Gold Mine Model is your opportunity. Write for the Butter-Kist Easy Payment Plan. Mail the coupon. BUTTER-KIST Popcorn ‘“‘America’s Oldest Treat’’ The coupon, filled in, offers you an easy road to big profits. Obligates you in no way. Fill in and mail TODAY. w Ho.tcoms & HOKE Mere. Co. World's Largest Manufacturers of Popcorn Machines and Peanut Toasters 2210 Van Buren Street + + Indianapolis HOLCOMB & HOKE MFG. CO., 2210 Van Buren St., Indianapolis, Ind. Please send me, without obligation on my part, your free Burter-Kist book. I also want the Location Chart which I will fill out and f return to you. Business — POPCORN AND PEANUT MACHINES comicbooks.com