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Judge, 1919-12-13 · page 16 of 36

Judge — December 13, 1919 — page 16: what you’re looking at

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Judge — December 13, 1919 — page 16: Judge, 1919-12-13

What you’re looking at

This page from *Judge* magazine presents satirical vignettes mocking musical ignorance and pretension in early 20th-century America. **"An Interview with Mr. Newlyrich"** (center cartoon) depicts a newly wealthy man—identifiable by his exaggerated features and ostentatious clothing—speaking with what appears to be an artist or writer. The Spanish dialogue references wealth and robbery, suggesting satire of nouveau riche figures who acquired money through questionable means and now affect cultural sophistication they lack. The surrounding anecdotes ridicule various characters: rural people confused by orchestral instruments (the trombone "to and fro"); tone-deaf singers; women prioritizing appearance over musical talent; and even conductors losing composure during rehearsals. **The satire's point**: Despite education's promise, Americans—particularly the newly rich and socially ambitious—remain culturally illiterate about music. They attend operas and concerts as status symbols while remaining fundamentally ignorant, their pretensions exposed through humorous dialogues. The page mocks both genuine musical incompetence and the affectation of cultural refinement.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

The Limit of Education Stop, Look and Giggle—Have_you ever thought of what Helen of Troy must Have said when first confronted with the foremost judge of beauty of her time? this is Paris!" is my only suggestion.—Chicago Tribune. Idle Speculation—“You seem fasci- nated in watching that musician play the trombone.” Yes,” said Mr. Cobbles. “Down in my part of the country we call one of them things a ‘to and from,’ an’ I've never yet scen a feller playin’ one that I didn’t wonder what would hap- f his arm got paralyzed just when id shoved it out to its full length.” —Birmingham Age-Herald, In Evening Attire—Young ( There goes Mrs. Lastword. Th every cent her husband makes she puts on her hac —Poor fellow! He must have been out of work when that gown was made.—Houston Post. Jarred Him—“I didn’t like her sing- ing; her notes come fr her che: bs well, ous ht they not?” No; ought to stay there.”—Bos- ton Tenieipe Simply Sensible—"Miss Plain isn’t a society girl, is she?” asked Mrs. Out- laert at sige 7 gaar t Skole om Cards Are Out ear fiss Fairleigh this Eftermiddage Chief—Haven't If “findings is keepings,” 1 Morning” . I'l head a search party No! I go to school in OS? ript. the afternoons—Klods Hans (Copen- Seal hagen). y. no,” replied Miss Gay. “In fact, she is a very common person. She —Boston Tre Ambition—//usband—I've got only iS . Betually iter io the mmusie when s , one ambition left in life now Striking Out a Balance—Kathryn— goes to the opera. noxville Journal- Wife—What is it, de Mildred has ceased to be a wage-earner Husband—To see a. woman take a since she married. Side-Tracked Into Eminence— cork out of a bottle without pushing it Gladys—I'll say she has. Now she’s a “How did you come to be leader of the in.—Houston Post. wage-burner.—Dallas Journal. village choir? You never could sing An Interview with Mr. Newlyrich “That's the reason. They made me leader so that I wouldn't have any ex- cuse for trying to. sing.”—Louisville Courier-Journal. You Bet He Had—Flatbush—You know music has a wonderful influence over us. Bensonhurst—l know it “Did you ever feel the power of a singer over you?” “Oh, yes, often. TI married one, you | know.”—Yonkers Statesman, Original Echo Organ—“I don't think Edith will ever make a hit as a alist, i¢ has a good voice.” “Yes, but she’s got such a big mouth that there’s an echo, and that spoils the effect of her singing.”—Boston Tran- script. Hush!—“Oh, professor, while you ing I closed my eyes. It was you madam. If the ladies would—ahem—close their mouths when ir eyes the soul of an art- ist would never be tortured.”—Birming- ham e-Herald. Conscientious—They were rehears- ing for the opera, when the conductor was nearly frightened out of his boots rg ees. by a terrific blast from the trombone | “C 5 ts diners, vol sapiguer?” layer in the corner. ‘Com he peek pepe diners, I sapiguer? AVE ine non dcliig?” ‘feared’ ake ui escriure un libre titulat El robo legal, que m’ penso que’s ven- conductor. . dra molt. “I'm sorry, sir,” came the reply. “It “How did you make your mon was a fly on my music. But,” he add- i What do you want to know for? ed, with just a touch of professional “[ am writing a book on the subject: ‘Wealth is Robbery.’"—Esquella pride, “I played him!"—Binghamton (Barcelona). Press. 16 comicbooks.com