Judge, 1906-04-21 · page 4 of 16
Judge — April 21, 1906 — page 4: what you’re looking at
What you’re looking at
This Judge magazine page combines nostalgic rural humor with contemporary social commentary. "One by Old Hank Calkins" features a farmer reminiscing about losing his watch while gambling on cabbage, using folksy dialect. The piece celebrates pre-modern rural life as superior to present times. "The City Bard Speaks" is a poem lamenting loss of rural traditions—farm life, village stores, general goods—replaced by modern urban existence. The writer expresses alienation from city living and cannot adequately describe nostalgic memories. The bottom cartoon shows a woman on a long-distance telephone call, with her elderly aunt unable to hear properly without glasses. It satirizes emerging telephone technology as confusing and impersonal compared to face-to-face conversation. Overall, the page expresses anxiety about modernization and urbanization displacing traditional American rural culture.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
ONE BY OLD HANK CALKINS, THE CITY BARD SPEAKS, 6+ AOW, I mind th’ time,” drawled A : EAR reader (if you read at all), old Hank Calkins from the coun- Can you the good old days recall— ter as he applied a match to the sput- The dear old farm in winter time? tering bowl of his pipe and stared at the The jelly and the pickled lime? smooth-shaven face and cropped mus- The lowing of the bossy cow? The farm-hand with his cheery “+ How?"? tache of the stranger through the lt \ ue bd : J And mother in the kitchen bak- smoke; ‘I mind th’ time, three year \ mee . : Ing pies ‘like mother used to make"? ago come June, when I had a purty good 4 Fea “Ths several store where were-Sor sala gardin, th’ seed all planted in th’ moons y Dey tacks tad Se, and where Die al I was grubbin’ th’ cabbage thet day i Came every day at half-past three— when I lost_ my watch—one 0° th’ most “ee . Log exe the daynot RF. Det ackret time-pieces. ‘Mandy an’ me ‘The village cut-up, village band? hunted nigh all th’ mornin’, but next The miles and miles of fertile land? day I had to swap a ca'f with Deacon The postmaster, the blacksmith, eke Vedder fer another watch. Some things of which T cannot speak? Waal, it ran slong’ till about For I don't know the proper thing ale wi For reminiscent bards to sing, Thanksgivin', when th’ ole woman says ; : fer me to git a head o' cabbage fer th’ be ’ ‘Atel Twas cat born ta s.ssiat fea at darter ee ae ae Old burg, and I cannot recall Diiled dinner. I brought up out'n t A SE ‘The these abe post aja eet celler a big head an‘ some cider "—— Ween ket ont emule obit: “Yer alwus do when ye go down f ‘Aldi | borate’ & sabaster Gy, celler,” interrupted Deacon Vedder ma- I can't indite a rural ditty ; T cannot make the tear-drop come liciously. By bringing up “The Dear Old Hum.” «You shut up an‘ let me alone! JUDGE'S FAVORITES. As [was a-sayin’, | brought up th'head Nira ALLEN, of THE KEITH AND PROCTOR VAUDEVILLE ciRcUITS ‘The April shower that dances on the half-sunned slope struck somethin’ hard, Cuttin’ keerful, pier taving | openey ne I opened it, an’ out dropped my watch Sparkling in the myriad foliage—well, that's like you. FRANKLIN from th’ centre o' thet cabbage an’ still a-runnin’ an’ only two minutes behind th’ right time.” ‘These and more things I cannot do, an’ was cuttin’ it in ha'f when my knife ; : But, then, T don't much ca DEFINED. « But how in the name of Time could it be running,” queried the Professor—** Suppose an irresistible force should meet an im- drummer, “after being lost five months?" movable body, what would be the result 2" “Waval, ye see,” answered Hank, ‘it was one o' them curly Student—" \ + merger." heads 0° cabbage, an’ th’ leaves had kept growin’ an’ twistin’ around th’ stem an’ windin’ thet watch till she was most wound tight wher 64] COULDN'T get a seat in the cars to-day.” picked it up, by he ++ Oh, that’s a complaint of long standing.” Nye aN HN il WANTS TO SEE WHOM SHE IS TALKING TO. Youno tapy—“' Aunty, some one is calling you on the long-distance ‘phone.”* Aunt—" My dear child, won't you please answer it? I have my nearsighted glasses on.”