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Judge, 1885-11-14 · page 6 of 16

Judge — November 14, 1885 — page 6: what you’re looking at

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Judge — November 14, 1885 — page 6: Judge, 1885-11-14

What you’re looking at

This page satirizes theatrical life, specifically the chaos of a ballet production. The narrator describes stumbling backstage at a theater, confused about reaching the "prompt side" (prompter's box). He falls into the dressing room and encounters the ballet dancers—repeatedly referred to mockingly as "the fatted calves"—whose legs are emphasized through exaggerated illustration. The satire targets the disconnect between how ballet dancers are portrayed in idealized lithographs versus reality. The manager contrasts flattering theatrical posters showing graceful, beautiful dancers with the crude behavior of actual performers, who kick the narrator and speak vulgarly. The recurring term "fatted calves" suggests the dancers are overfed, ungraceful, and ungainly—mocking both their physiques and their pretensions to artistry. The piece ridicules both theatrical vanity and the gap between romantic public perception and backstage reality.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

THE JUDGE ON THE ROAD. | what kind of a thing the prompt side” was, anyhow, I hadn't the dimmest idea. So I took my foot in my hand and started in. = WEATRICAL fithographing | The place was very ¢ Nighted, and T my honse. We beni) a man who had knocked over ac: , to say Hint works ahoteh varly upsetting a forest, I sat down to rest on an ocean ered But. : ; Hed up on one side 1, ta i Bottom & Qalnco. ald Ina few moments an object appeared that proved to be the hin Vid paid liberally, , legs of an elephant on their way to keep an appointment with the Perhaps that is the reason 1 | {font pair and the parte thereunto appertaini The legs ques gave the pointer to Me tioned me as to what 1 was doing and inquired as to how LT hap- a an ‘ pened to be where L was. T explained the situation and then * ghow exh d obliging afterwards very civilly pointed out the direction ch Twas to take in order to reach the mysterions “ prompt ook at thisexample, | side” which by this time [had concluded had taken unto itself 1b caid asl tucked | the “wings” the doorkeeper had spoken of and flown to the ut- up against the wallof my room st parts of the earth. ; a . alighly colored print of a pr Considerably encouraged, I started off 4 but hadn't. gone Mite dinceuee, «here yea fat when [ suddenly felt the floor give wa feet and 1 picture of undoubted merit, a cipitated into a sort of cellar, brilliay cork of art of the. highe For a moment I could see but little except stars, both small and The color is perfection fest, but E heard at th ent of falling a chorus of shrieks, fi the drawing mos felike, After a bit things began toclear and there huzily ehaped themselves The aad wkend before my wondering eyes what seemed to me countless numbers picture is really a great 4 :. fi plored | An instant later [perceived that apper- rersthing that he pts taining to each pair and gome little distance above the knee hung a he dhawe well. from a double e cloud, varying as to color: pink, white, blue or yellow. teoth 16 his ealnce, ine. pe shrieking subsided directly but other and hardly, mor ; agreeable sonn ed my ears. ee eee eon ot Girls, I really think it has life, ‘Try it just once, Maud, for his drawing some other fel- tuck , Tow's salary as well, such is his Ove pair of limbs, a very fat pair, approached me and bestowed Uiligence and skill. Now, please compare the work of this gens thundering kick, to be compared only with the well-known g Hatten Cith tho sites ‘eature ofa ballet girl you have been Ure of an Arkansaw mule on my—that is a foot or so due south of pasting up all over the country. wi have it in your mind, no the small of my back. . doubt. Compare the two ani say, isn’t yours a libel on the ador- “Ouch!” T ejaculated. et up able creatures who charm w veaitiful faces, lovely. fe | Why, soit has. Stand up, you, whatever you are, and ex- and graceful movements? id your picture lo | plain by what right you are in the ballet’s dressing room,” com- the world like the last end of Heaven's indignat ut on wtnded the fatted calves. a bob-tailed monkey. Am [not right, Mr. Board? ‘The manager looked at me with some isc, reflected a _mo- ment on said: * L wonder if you know what about, young Did you never hear f I think not. Do you kifow what womar som friend i may think so, but I don’t think you do. It’s cotton bs how close did you ever come to a high-hicker? to t that the bald-headed row was the nearest I ever had the luck to approach. “Tthonght so. Vil tell you what, dea 3. it’s against our rules, but if you'll come to the stage door to-night, at quarter of eight, I'll give vou a chance to see the adorable tures of whose beautiful f lovely forms and graceful movements you have so correct a knowledge, at short range. Ask for me at the door, will I joyously promised to be on time. “Now, I'll do this for you, Lang. — That picture is a good one. It’s a lie, of course, but that’s about what we want the public to believe our girls are really lik ‘That it is better than the bob- tailed monkey picture, I cheerfully admit. You can pnt me down for two thousand. oe “I’m greatly obliged, Mr. Board, ’'m—” stpone your thanks until show. Then, when you figure on the fact that I have some of your choicest” illusio you will consider the more t cancelled. ‘Take my word for it, when you with me you'll value yourself at a very low figure. ~ Y will fe = like admitting that it takes about two gross of Langs to. make one SQ decent idiot. — Bye I wasn’t good h for the rest of that day. Time dragged + Excuse me, ladies,” pleadingly, perceiving that the very heavily. As the hour approached I consulted my watch every understandings about me were the belongings of women,‘ Excuse few minutes. It seemed to be a slow race between the big black | me, I don’t feel quite well. , leave me.” hand and the little one, but at last the favorite passed his old com. | What's the matter, beauty,” asked a brace of knock knees, petitor, and just as he reached the third-quarter post I rang up the | ** Have you got the 2 how many?” stage door keepe: asked for Mr. Board. Don’t you like it here, birdie? ” inquired two English ankles, ** Name, plea: Well, why did you com pu weren't invited I gave it. * Ladies, I agai your pardon,” id, humbly.“ T- feel “ Right. Mr. Board is over on the prompt side in the wings. | very sore, br on will allow me to get up. I will try to find my He said I was to send you over, when you came. way ont. :, L didn’t come of my own accord, I fell through It looked green to ask questions and I didn’t care to give my the coal hole, ignorance away, but, how ] was to get to the ‘ prompt side” or C gh thetrap, y * corrected two of a kind un- comicbooks.com