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Wolverine#48
Cover: Adam Kubert & John Dell

Wolverine #48

Oct 1997 · Panini France · 19,00 FRF; 137 BEF; 5,70 CHF
📊 ~99,984 copies sold its debut month
🌐 French edition · synopsis shown in English
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In "Métal mythique," Wolverine fights to reclaim his mind as Genesis attempts to forge him into a new death knight for the resurrecting Apocalypse, using Cyber’s adamantium to bind his bones. With unexpected help from Rocket, Wolvie battles the Dark Riders, breaking free—but at a cost, emerging as a feral being with the mind of a child. Written by Larry Hama and Nicole Duclos, with art by Adam Kubert and inks by Dan Green, this 1997 issue features a cover by Adam Kubert and John Dell.

Contains 2 stories
Métal mythique
9 pp · Superhero
Dark Riders [DeadboltHurricaneGauntletDirt NapLifeforce] (villains)

In "Métal mythique," Wolverine infiltrates the fortress of Genesis in Akkaba, only to be captured by the relentless Dark Riders—Deadbolt, Hurricane, Gauntlet, Dirt Nap, and Lifeforce. As Cannonball closes in on the citadel, Genesis readies a sinister plan to fuse Cyber's adamantium with Wolverine, pushing the mutant to the edge of his limits.

L'âme en feu et le cœur lourd
35 pp · Superhero
Dark Riders [Deadbolt (death)Hurricane (death)Gauntlet (death)Spyne (death)Lifeforce (death)Dirt Nap] (villains)Stick (cameo)

In "L'âme en feu et le cœur lourd," Wolverine fights to reclaim his mind and body as Genesis attempts to bind his adamantium-laced bones to a new death rider for the resurrecting Apocalypse. With help from Rocket and a desperate struggle against the fallen Dark Riders—Deadbolt, Hurricane, Gauntlet, Spyne, Lifeforce, and Dirt Nap—Wolverine resists the transformation, emerging not as a weapon, but as a feral being with a childlike mind, still untethered from his past.

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Cast · 17 characters

Full credits

writer Larry Hama
inker Dan Green
colorist Joe Rosas
letterer RAM
cover pencils Adam Kubert
cover inks John Dell

Reprints

↩ Reprints Wolverine #99 (1996), Wolverine #100 (1996), Carnage: It's a Wonderful Life #1 (1996)

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