Valentine #6 May 1961
☆ Be the first to review + Add to your collection — Join freeIn "Wooden Heart," Ann’s quiet patience frays after three years of waiting for Hugh to propose, until a chance encounter at a dance with Nigel stirs longings for romance and adventure. Just as she prepares to leave Hugh behind, he arrives with news of a transfer to Canada and a long-awaited proposal—leaving her to choose between the life she imagined and the one she’s been given. Drawn with tender detail by Florenci Clavé, this poignant story captures a moment of quiet revelation, where love isn’t found in grand gestures, but in the unexpected turn of a single evening.
In "Wooden Heart," Sally Briggs finds herself at the center of a quiet workplace misunderstanding when she learns her boss, Alan Gould, hired her because he assumed she wouldn’t leave for marriage—she wasn’t the type to show up in low-cut dresses. Determined to prove him wrong, Sally claims she has a boyfriend and begins dressing more boldly, even enlisting her cousin, Doreen, to help her play the part. As her boss watches closely, something unexpected stirs—Derek, the cousin, notices the way Alan watches Sally, and a subtle shift begins in the office.
In a quiet moment on her holiday, Joan Harwell watches the ballroom dancing competition alone—until Ken Jones asks her to join him for a playful dance, surprising them both with their victory. The next day, Ken introduces Joan to Arthur, a manager overseeing a charity show, where their shared dance sparks a connection. Though Arthur never steps onto the floor, Joan finds herself drawn to him, remembering the boy she danced with as something more than a memory.
In a quiet moment at a restaurant, Brian, a stranger to Rose, notices her sadness and offers a kind ear—two people caught in the aftermath of broken moments with their partners, sharing confessions that feel too real to ignore. With tickets to the theatre in hand and a fleeting spark between them, they spend an evening that feels like a dream, only to face the weight of their choices the next day. What begins as a chance encounter blooms into something tender and fleeting, leaving them with only the memory of April—and the promise to hold it close.
Merle pleads with her boss to give George one last chance after a costly mistake with an order, but when George storms in to break off their engagement, the moment hangs in the balance—just as Mr. Jervis steps in to witness the unraveling of a fragile promise.
Ann’s patience wears thin after three years of waiting for Hugh Parsons to propose, especially when he’s called in to work late. She attends a dance and finds herself drawn to Nigel, a man who seems to live for romance and adventure—everything Hugh isn’t. That night, she writes a goodbye note to Hugh and leaves it on the living room table, only to turn and find Hugh standing there, excited to tell her he’s been transferred to Canada with a promotion and can finally marry her. As he points to the map, Ann crumples the note in her hand.
Penny Hoskins has spent fourteen years living with her widowed mother, and while she loves her deeply, she’s starting to feel caught between loyalty and independence—especially when her mother turns every visit from a boy friend into a full-blown social event. With Jack and Mike both on the scene, and Sonia Potter quietly observing, Penny wonders if she’ll ever have the space to make her own choices.
Tony Harris, chasing his dream of becoming a comedian, finally lands his big break—just as Gay realizes their relationship may never be the same. With Joe Lucas, Jim, and Gloria de Vance watching from the sidelines, the moment tests the strength of a love that’s always been more than just a spark.
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Reprinted in A Very British Affair: The Best of Classic Romance Comics #[nn] (2023)
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