Valentine #6 February 1960
☆ Be the first to review + Add to your collection — Join freeIn "Some of These Days," a determined young woman chasing her big break stumbles upon an ad promising an 85% success rate in competitions—only to find the fine print demands "letters only... no callers." Drawn in despite the rules, she visits the office, where a man takes her money and picks a contest for her. When she wins second prize, she returns, only to be told the man is just a fraud. Ernest Ratcliff’s art brings the quiet tension of this deceptive scheme to life, capturing a moment of fleeting hope and sharp disappointment.
Miss Anderson, a determined young woman chasing big prizes, answers an ad from "Competitions Galore" promising an 85% success rate—despite the fine print warning against in-person visits. When she shows up, a man at the office scolds her for breaking the "no callers" rule, yet still picks a contest for her and takes her money. After she wins second prize, she returns to claim her reward, only to be told the man was just pretending all along.
Angela’s chance encounter with a stranger handing out free five-pound notes takes a sudden turn when she’s swept into a police station amid growing suspicion. Soon after, she learns the man—Sid—has a shocking condition: he’ll inherit millions only if he’s broke by month’s end, and he’s just won ten thousand pounds on the pools.
Margaret, caught between her love for romantic thrillers and the growing dread of losing her job, finds herself drawn to the park one too many times—only to be startled by the sudden return of Roy, the man who vanished from her life five years ago. As old memories stir, she’s forced to confront a past she thought she’d left behind, even as Mr. Parsons waits in the background, unaware of the storm about to unfold.
Betty thought her future was set when John promised to marry her after his job offer in London. But when his letters stopped coming, she found herself drawn to Graham—until the past unexpectedly resurfaced.
Daphne finds herself caught in an awkward moment when her friend Caroline and her boyfriend Dirk head to the cinema—only for Dirk’s behavior to escalate into a scene that draws police attention. With tension rising in the darkened theater, Daphne must navigate the growing unease between her friend’s loyalty and the strange suspicion swirling around Dirk.
In "Love, Where Can You Be?", Midge and Joe Spencer—long at odds despite their mothers' close friendship—find themselves unexpectedly united when a rift between the two women forces them to cooperate. As they navigate the messy aftermath, the pair discovers a surprising connection, though neither is quite sure what it means.
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