Universo Marvel #7
In Universo Marvel #7, writer Kurt Busiek and José de Freitas team with Alex Ross—handling art, inks, and colors—to explore a world where public hero worship has curdled into fear. Phil Sheldon, author of a bestselling book about the "Maravilhas," finds himself at odds with a society that vilifies the very heroes it depends on. When the backlash threatens to consume him, he takes a bold step: clearing the name of the Spider-Man, long blamed for the death of Captain George Stacy. Cover by Alex Ross.
Phineas Thomas Horton, driven by ambition and a vision beyond his time, forged the Tocha Humana—only to bury him beneath the earth when he realized the world wasn’t ready. Decades later, a fissure in the concrete cracks open, and the long-sealed being stirs once more.
A journey through the dawn of the superhero era unfolds through the lens of photographer Phil Sheldon, whose lens captures the birth of Tocha Humana and the first glimpses of Capitão América and Namor, o Príncipe Submarino, in a world on the cusp of change. With cameos from J. Jonah Jameson, Prof. Phineas T. Horton, and a host of early Marvel icons, the story blends personal revelation with the quiet emergence of legend.
In a world where heroes are both celebrated and feared, Phil Sheldon—once a celebrated author of the best-selling book *Maravilhas*—finds himself at odds with the public's growing distrust of powerful saviors. When the media and citizens alike turn their backs on those who protect them, Phil takes a bold stand: he seeks to correct a long-standing injustice by clearing the name of Homem-Aranha, who was wrongfully accused of killing Captain George Stacy. With the weight of public opinion and the shadow of past betrayals, this act of redemption could shift the balance between fear and faith—but not without stirring up forces both old and new.
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↩ Reprints Marvels #1 (1994), Marvels #2 (1994), Marvels #3 (1994), Marvels #4 (1994), Marvels #0 (1994), Marvels #[nn] (1994), The Amazing Spider-Man Omnibus #1 (2007)
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