The Complete Love & Rockets #7
☆ Be the first to review + Add to your collection — Join freeThis volume collects the 1990s-era Love & Rockets stories by Jaime Hernandez, focusing on the tragic death of the character Speedy and its aftermath among the cast of Locas. It includes the complete 'The Death of Speedy' storyline, originally serialized in the Love & Rockets comic book series, showcasing Jaime's evolving art and narrative depth during this period.
In "The Return of Ray D.", Maggie reconnects with her roots during a family gathering, reuniting with her mom, sister Izzy, and old friends as Ray Dominguez returns to town after three years away. As Ray catches up with Doyle and shares quiet moments with Maggie—especially after a night of celebrating their new freedom from fast food jobs—the past begins to ripple through the present, echoing memories of younger days and first loves.
In "Vida Loca: The Death of Speedy Ortiz (part one)," tangled emotions and misread signals ignite a chain of reckless choices. Speedy Ortiz, frustrated and heartbroken, turns to Blanca Rizo in a moment of pain, while Esther returns to town, unaware of the storm brewing. As tensions flare between rival groups and old wounds reopen, Ray Dominguez grapples with jealousy, Danita Lincoln watches from the sidelines, and the fragile peace of Dairytown teeters on the edge—just as Speedy’s world begins to unravel.
In *Vida Loca 2 (The Death of Speedy Ortiz)*, tensions flare in a small town where old alliances and simmering resentments come to a head. Speedy Ortiz finds himself caught between Esther’s volatile affection, Rojo’s threats, and the dangerous whispers of Blanca Rizo, while Maggie watches the chaos unfold with quiet dread. As tempers ignite and lines are drawn, the fragile peace of Dairytown begins to crack under the weight of pride, jealousy, and secrets too heavy to carry.
In "Vida Loca, part 3 (The Death of Speedy Ortiz)," Licha races to intervene as tensions between the Hoppers and Dairytown escalate, while Maggie tracks down Esther, desperate to reach Speedy before it’s too late. Amid shifting loyalties and rising violence, a confrontation at the edge of the city forces Maggie to make a heart-wrenching choice—stepping in for Esther, enduring the blows meant for her, and sealing Speedy’s fate with a single, devastating decision.
In "Jerusalem Crickets," Hopey and her band La Llorona navigate the restless rhythm of life on the road, playing a gig and spending a night in a roadside motel before being kicked off another show—only to stumble upon a last-minute opportunity for a speed metal performance. The story captures the raw energy and quiet moments between the chaos, with Hopey, Terry, Monica, and Zero Gravity moving through the transient world of touring, where connection and displacement blur.
In "Jerusalem Crickets," Terry asks Hopey to write a letter to Maggie while they're on tour, hoping to clear Maggie’s name after she believes she was left behind in Hoppers. The request hangs between them, charged with unspoken history and the weight of a past they can't quite leave behind.
In "Jerry Slum and the Crickets," Hopey grapples with the aftermath of her band’s breakup, burning her instruments in a moment of raw emotion before spending the night in the silent, broken-down station wagon that once carried their dreams. As dawn approaches, the city hums around her, and the weight of change settles in the quiet between the crickets’ chirps.
In "The Night Ape Sex Came Home To Play," the usual rhythms of life in the neighborhood shift when a sold-out Ape Sex concert becomes the day’s unattainable dream. Maggie, caught between old letters from Hopey and the pull of new tensions, watches from the sidelines as Daffy, Kiko, and the others navigate the chaos of missed chances and whispered confessions. Meanwhile, Joey’s blunt revelation about Hopey and Ray’s relationship sends ripples through the group, leaving everyone to wonder what comes next—especially when Doyle’s new apartment looms as a quiet, unanswered question.
In "A Mess of Skin...", Ray’s chance encounter with the club dancer Lily Rivera stirs something beneath the surface of his usual routine. When Maggie and Daffy flee a tense situation at Maddog’s club and stumble into the wrong pickup—mistaking Ray for Doyle—what begins as a moment of panic spirals into an unexpected night of shifting alliances, quiet confessions, and the fragile intimacy of shared space.
In a quiet moment of drift and desperation, Tex and Hopey find themselves at Costigan Manor East, seeking refuge and connection with Penny Century, whose larger-than-life persona as a superhero cosplayer offers a fleeting escape from their struggles. Flashing back to their teenage years, the story reveals the roots of their bond with Penny—and how she came to be known by her bold, unforgettable name.
In the Valley of the Polar Bears, Aunt Vicki—back on top after reclaiming her championship belt—hires Maggie to tag along on her nationwide wrestling tour, assigning her the role of personal accountant. As the tour rolls through small towns and forgotten roads, Maggie finds herself caught between the spotlight and the quiet moments in between, navigating the strange rhythms of fame, loyalty, and the unexpected connections that form on the road.
In the Valley of the Polar Bears, part 2 follows Vicki Glori as her patience with Maggie [Margarita Luisa Chascarrillo] wears thin, culminating in Maggie’s dismissal from her role as wrestling assistant. Struggling with her own sense of purpose, Maggie travels to the East Coast in search of Hopey, only to find no trace of her, before returning to California and finding refuge with Ray.
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Reprints
↩ Reprints Love and Rockets #20 (1987), Love and Rockets #21 (1987), Love and Rockets #22 (1987), Love and Rockets #23 (1987), Love and Rockets #24 (1987), Love and Rockets #25 (1988), Love and Rockets #26 (1988), Love and Rockets #27 (1988)
Reprinted in Love & Rockets #[1] (1991), Speedy Ortiz' död #[nn] (1992), Love and Rockets: The Covers #[nn] (2013), Locas: La muerte de Speedy #4, Love and Rockets #6
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