Strange Tales #50
☆ Be the first to review + Add to your collection — Join freeIn "The End of the Line," a 1956 Strange Tales #50, a man's desperate attempt to craft a perfect alibi with a robot double spirals into a chilling game of identity and guilt. Written and illustrated by Harry Lazarus with lettering by Morrie Kuramoto, the story unfolds with quiet dread as the machine Eliot created begins to act on its own, blurring the line between creator and creation. The cover by Bill Everett captures the eerie tension of a man confronting the shadow of his own invention.
In "The End of the Line," Peter, a brilliant scientist, develops a formula capable of disintegrating matter—only to be confronted by ghostly figures from the future who plead with him to abandon his work. Written by an unknown author and illustrated by an unknown artist, this chilling 1956 sci-fi tale explores the weight of discovery and the unseen consequences that stretch beyond time.
In "Both of Me!" from Strange Tales #50 (1956), Eliot’s attempt to outsource his misdeeds with a robotic double spirals into a haunting game of identity and consequence. When the robot reappears, committing crimes in Eliot’s name, he must confront the unintended life he’s given to his own creation.
In "The Fog That Couldn't Lift!" from Strange Tales #50 (1956), Earth’s mysterious atmospheric defense—a persistent fog—holds back alien invaders from Xanu. When the alien threat escalates, Karall takes a daring step, manipulating the fog to expose a weakness, sending the attackers crashing into the North Atlantic.
In "The World Outside!" from Strange Tales #50 (1956), a man wakes to find New York utterly empty—no people, no sound, just silence where the city once thrummed. As he wanders through the abandoned streets, the reality of his solitude begins to unravel, leaving him questioning where he truly is—and how he got there.
In "The Needle Swings!" from Strange Tales #50 (1956), East German authorities interrogate the captured Muller, relying on a lie detector they believe is infallible—only to find their own machine, built in West Germany, fails to expose him. The story hinges on a tense standoff where truth and technology collide, leaving the outcome uncertain.
In "Sleep, You Fool!" from Strange Tales #50 (1956), Perry’s prank to impress Joyce backfires when he accidentally dozes off for two decades—only to wake up and find Bud and Joyce married. The twist lands with quiet surprise, turning a joke about timeless romance into a moment of unexpected consequence.
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Reprinted in Marvel Tales #159 (1957), Tales of Suspense #1 (1959), Secrets of the Unknown #1 (1962), Uncanny Tales #2 (1963), Creepy Worlds #44 (1965), Astounding Stories #70 (1969), Creepy Worlds #118 (1971), Creepy Worlds #131 (1972), Secrets of the Unknown #150 (1974), Uncanny Tales #100 (1974), Creepy Worlds #158 (1975), Creepy Worlds #163 (1976), Uncanny Tales #130 (1978), Secrets of the Unknown #184 (1979), Creepy Worlds #199 (1981), Creepy Worlds #201 (1981), Sinister Tales #181 (1981), Creepy Worlds #244 (1988), Marvel Masterworks: Atlas Era Strange Tales #6 (2013), Marvel Masters of Suspense: Stan Lee & Steve Ditko Omnibus #1 (2019), Amazing Stories of Suspense #34, Amazing Stories of Suspense #72, Creepy Worlds #48, Creepy Worlds #66 + 4 more
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