Sensation Comics #46
☆ Be the first to review + Add to your collection — Join freeIn "The Lawbreakers' League," a 1945 Sensation Comics standout, the lives of a struggling radio writer, Julius Hack, and two escaped convicts collide near the home of young Tommy Rogers. When Julius scribbles a desperate plea for help in the dust on a door, Tommy dons his costume and rallies the Blue Boys to take down the intruders. The story, illustrated with crisp energy by Frank Harry, captures a moment of quiet heroism that sparks a new radio series idea—“Little Boy Blue and the Blue Boys”—as told in a tale grounded in small-town tension and unexpected courage. The cover by Harry Peter perfectly frames the moment’s tension with a dramatic, shadowed composition.
In "The Lawbreakers' League," Ferva Shayne hands Steve an electronic globe, believing it will make him strong enough to win Wonder Woman’s heart—though whether that means she’ll abandon her crusade or join him in a new kind of heroism remains uncertain.
When radio writer Julius Hack accidentally leaves a plea for help in the dust on a door, his quiet life collides with the sudden arrival of escaped convicts near Tommy Rogers’ home. With a quick change into his costume, Tommy becomes the Blue Boys’ hero, turning a tense standoff into a swift, decisive showdown. The experience sparks a new idea—Julius soon pitches a thrilling radio show, "Little Boy Blue and the Blue Boys," based on the very night that changed everything.
In "Futile's Follies!" from Sensation Comics #46 (1945), Mr. Terrific tracks down the elusive Mr. Futile after a jewel heist, only to see the criminal vanish—only to reappear when he kidnaps Terry’s girlfriend, Wanda. A mysterious theater ticket stub leads Mr. Terrific to a forgotten stage, where he finds Wanda bound and alone, setting off a tense chase through shadowed aisles and crumbling backdrops.
In "The Dummy," a 1945 tale from Sensation Comics #46, ventriloquist Echo treats his silent dummy as more than just wood and cloth—until his obsession threatens to turn deadly. When Wildcat intervenes to stop Echo from harming Hans Mather, the dummy’s creator, the line between performer and puppet begins to blur in ways neither man expected.
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Reprinted in Wonder Woman #[nn] (1972), Wonder Woman #[nn] (1972), Wonder Woman Archives #6 (2010), Wonder Woman: The Golden Age Omnibus #2 (2017)
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