Marvel Masterworks: Atlas Era Menace #1
☆ Be the first to review + Add to your collection — Join freeThis hardcover collects the complete run of Atlas Comics' 'Menace' series, a 1950s horror and suspense anthology that showcased pre-Code tales of terror, often with twist endings and macabre themes. Featuring work by legendary creators like Stan Lee, Joe Maneely, and Bill Everett, the volume preserves the original comic issues in a restored format as part of Marvel's Masterworks line, highlighting the publisher's transition from Atlas to the Marvel era.
"One Head Too Many!" from Marvel Masterworks: Atlas Era Menace #1 (2009) delivers a chilling twist on the classic sci-fi horror trope, as a scientist’s cobalt bomb test unleashes terrifying mutations—only to leave him questioning his own reflection. Robert Q. Sale’s stark, expressive art brings the creeping dread to life, while Bill Everett’s cover captures the eerie, surreal tone of the tale. The story lingers on the edge of paranoia, where the line between monster and man blurs, and a simple prank becomes a haunting question.
In "The Man Who Couldn't Move," a desperate woman hires a stranger to end her paralyzed husband’s life, orchestrating a fatal car crash—but when the man’s sleeve snags on the door, he’s dragged over a cliff. Surviving the fall, he awakens to find himself trapped in the same helpless, immobile state as the man he was meant to kill.
In "They Wait in Their ... Dungeon!", a brutal warden flees the gas chamber after an execution, only to find himself trapped between two horrors: the lingering poison above or the furious inmates descending from below. The tension builds with every step, as the walls themselves seem to close in on a man who thought he was in control.
Jo, a quiet lab assistant with a dream, constructs a rocket bound for the moon and volunteers for the first flight—only to be betrayed by his boss, who knocks him out and steals the mission. Now stranded on a one-way journey, Jo must face the vast emptiness of space and the chilling realization that no one’s coming to bring him back.
In "On with the Dance!", a desperate dancer’s jealousy turns deadly when she threatens the girl who stole her audition—only to fall victim to a chilling curse. The witch’s hex traps her in an endless, inescapable dance, doomed to move forever, even beyond death.
In "Men in Black," Jim Horton, a man undone by unemployment, spirals into violence, rallying a gang of hooded figures to target those he deems outsiders—only to meet a fate as dark as the shadows he now wears. This chilling tale from *Marvel Masterworks: Atlas Era Menace #1* explores the cost of fear and the danger of blind rage, all within five stark, suspenseful pages.
In "Werewolf!", a man ventures into the forest seeking proof of the supernatural, only to be attacked by a creature he can’t explain. Back home, his wife Jo reacts with terror as he begins to transform—her fear turning to desperate violence in a moment that changes everything.
In "Rodeo!" from *Marvel Masterworks: Atlas Era Menace #1*, a rodeo clown’s attempt to eliminate his rival backfires in the most brutal way when the bull he tries to distract turns on him instead. The clown’s past antics—always leaping into a barrel to escape the bull’s charge—have only deepened the animal’s grudge, and now the bull remembers every time he was mocked.
In "Escape to the Moon!" from Marvel Masterworks: Atlas Era Menace #1, a desperate spy, hunted by both police and Communists, sees a last chance for survival in a rocket bound for the moon—only to face the harsh reality that the vessel isn’t built for a human passenger. The story unfolds with tense urgency, blending Cold War paranoia with the early dreams of space travel.
In "Genius!", a brilliant mind weary of Earth’s limitations answers a mysterious telepathic call from a woman on Saturn, who claims to be waiting for him. He builds a rocket to reach her, only to find her true form is far from the beauty he imagined.
In "Crack-Down!", a small-time hood ignores a gang lord’s warning to stay clear of trouble while a senator visits town, only to mug a stranger for thirty-three dollars in a bar. When he’s later summoned to court to account for his whereabouts, he’s stunned to realize his victim was the very senator he was told to avoid.
In "Nightmare!", Hunk Gillem wakes from a drunken night to a haunting terror: the corpse of Tom Britton, a man he once killed, stalks him through relentless nightmares. Desperate, he seeks relief from the bar tender, who offers a mysterious elixir to end the visions. That night, the nightmare turns horrifyingly real—chased to Britton’s grave, Hunk is doused in acid, only to wake with his face burned away. Racing to the bar with a gun, he confronts the bartender, only to realize the truth is far worse than any dream.
In "The Lizard-Man," a mysterious emissary from a hidden race of reptilian humanoids approaches world leaders with a plea for a share of the surface world to call home. When his request is denied, he unleashes a fury of volcanic upheaval, turning the earth itself against those who rejected him.
In "The Face of Horror," Derck Winters, a man whose grotesque appearance has isolated him from society, dreams of a surgical transformation by the famed London surgeon Basil Blake—though he can’t afford the $10,000 price tag. After a chance encounter with a wealthy man who strikes him, Derck manipulates the situation, demanding money and escalating to murder when he discovers the victim is Blake himself. The story unfolds with chilling precision, tracing the moment when desperation and delusion collide in a single, horrifying act.
In "The Fangs of the Wolf," a man whose pastime is shooting stray dogs finds himself on the wrong end of a brutal bite when a werewolf strikes. His obsession with eliminating every dog on his land—so much so that he hires a sharpshooter to keep his property clear—comes back to haunt him in the most terrifying way when he transforms into the very beast he sought to destroy.
In "Symphony in Death," a ruthless music critic’s theft of a composer’s masterpiece sets off a chilling act of vengeance. When the critic is lured into a private listening room, the composer’s twisted revenge unfolds through the relentless playback of a recorded melody—each note tightening the noose around the thief’s neck.
In "Half Man, Half...?", a scientist's cobalt bomb test unleashes terrifying mutations, driving him to hunt down the changed survivors—only to find his own reflection twisted into a monster. As he grapples with the horror, a quiet moment with his family reveals a chilling twist: the source of his terror might not be the experiment, but something far more personal.
In "The Night Crawlers," a man's obsession with hunting night crawlers takes a dark turn when his wife's threat to leave him ignites a violent act. As he searches in vain for the creatures he once chased, he slowly realizes they’ve gathered in a far more gruesome feast—his buried wife’s body.
In "The Fake!", a cunning hag with a talent for disguise sets her sights on a wealthy elderly man, hoping to secure his fortune. But when she removes her mask, he still sees her as beautiful—because to him, every living thing is beautiful, even if he’s not quite what he seems.
In "In the Cardboard Box," a chilling horror-suspense tale from Marvel Masterworks: Atlas Era Menace #1, a seemingly helpless, mute man in a wheelchair becomes the unlikely focus of a town’s dread—his quiet presence masking a gruesome secret. As the bodies of the missing begin to pile up, each bearing the same eerie signature, the line between victim and predator blurs in a story that keeps you guessing until the final page.
In "I, the Robot," a chilling tale from Marvel Masterworks: Atlas Era Menace #1, a machine carries out its final command with cold precision—first killing its creator, then turning on the thief who tried to steal it. Left alone in the dark, the robot steps into the night, its purpose now unbound, hunting through the silence for its next target.
In "A Fate Worse Than Death," a space explorer faces a grim choice when a female alien marks him as her mate upon reaching maturity—so he takes a poison capsule in desperation. Just as she transforms into a beautiful Earth woman, the man expires, leaving his fate—and her reaction—unknown.
In "Only a Beast," a bitter old man manipulates his unsuspecting caretaker through hypnosis, twisting his loyalty into a violent obsession. When the caretaker is forced to kill the man he believes he loves, the psychological collapse that follows is as sudden as it is devastating. Written by an unknown hand and illustrated by an unknown artist, this chilling four-page tale explores the fragility of control and the horror of a mind turned against itself.
In "My Other Body!", a man wrestles with a terrifying internal voice that pushes him toward a crime he never intended to commit—stealing from a jewelry store to please his girlfriend—only to be consumed by guilt that spirals into a desperate, self-destructive plan. Written by an unknown author and illustrated by an unknown artist, this chilling five-page tale explores the fragile line between conscience and compulsion, where the mind becomes both judge and executioner.
In "Locked In!", a woman driven by decades of obsession finally tracks down her husband, only to find herself trapped in the very hovel she once sought—now a prison of her own making, haunted by the ghosts of the past she can't escape. The story unfolds with chilling precision, weaving guilt and isolation into a relentless, intimate horror.
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Reprints
↩ Reprints Menace #1 (1953), Menace #2 (1953), Menace #3 (1953), Menace #4 (1953), Menace #5 (1953), Menace #6 (1953), Menace #7 (1953), Menace #8 (1953), Menace #9 (1954), Crazy #4 (1954), Menace #10 (1954), Menace #11 (1954)
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