Marvel #18
In "C'est chouette la vie !", Daredevil finds himself trapped in a brutal showdown with the Enforcers, far from the courtroom where he was meant to defend Mr. Hyde. With the Eel mocking him and the odds stacked against him, Daredevil must rely on his wits and reflexes to turn the tide. Written by Karl Kesel and brought to life with dynamic art by Cary Nord, inks by Matthew Ryan, and vivid colors by Christie Scheele, Ian Laughlin, and American Color, this 1998 issue delivers a tense, action-packed twist on justice. The cover by Kyle Hotz captures the intensity of the moment.
In "C'est chouette la vie !", John and Ashley are pulled into the nightmarish psyche of Carnage, where reality warps into a grotesque, surreal playground. As they struggle to survive the twisted landscape of Cletus's mind, their escape leads to a chilling moment of quiet aftermath—watching the man who created it all be taken away, his fate sealed.
Phil, once the Goblin, puts down his mask and glider after losing his job at the Daily Bugle, deciding to walk away from the superhero life and head back to college—leaving behind the chaos, the costume, and the weight of being someone else.
In "Crime et châtiment," Daredevil finds himself trapped in a brutal test orchestrated by the Enforcers, far from the courtroom where he was meant to defend Mr. Hyde. As the Eel mocks him with cryptic taunts about manipulation, Daredevil must fight his way through a wave of villains—turning the chaos into a chance to expose the truth. The story unfolds with tense, grounded action, where every move carries weight, and the line between justice and vengeance blurs.
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Reprints
↩ Reprints Carnage: It's a Wonderful Life #1 (1996), Daredevil #357 (1996), Green Goblin #13 (1996)
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