Mad Special [Mad Super Special] #7
☆ Be the first to review + Add to your collection — Join freeIn "Mad's Modern Believe It or Nuts!," a young couple's move into a suspiciously eerie apartment building takes a darkly comic turn as the pregnant woman grows increasingly paranoid—wondering if her unborn child might be the Antichrist. Written by Arnie Kogen and brought to life with sharp, exaggerated flair by artist Mort Drucker, this satirical take on "Rosemary's Baby" delivers classic Mad humor with a sinister twist. The cover by Mort Drucker perfectly captures the absurd dread of the premise.
In "Star Blecch," a hilariously bumbling crew of space explorers races to save a planet from a bizarre plague, all while navigating the absurdities of their own incompetence—every command decision a misfire, every solution a disaster. With deadpan satire and a delightfully offbeat tone, this Mad classic skewers the grandeur of sci-fi tropes with zero respect and maximum laughs.
In *Adventures of the Red Baron or Hapiness Ist Ein Kleine Kaput Beagle*, Snoopy takes to the skies as the World War I flying ace, but from the Red Baron’s perspective—where every dogfight is a personal insult, and the skies of France are just one big, barking nuisance. Dressed in a German uniform and speaking in broken English, the Red Baron faces off against the world’s most imaginative beagle, all drawn in the whimsical, minimalist style of Charles Schulz.
In a delightfully absurd twist on *Rosemary's Baby*, a young woman named Jo finds herself unsettled by the odd neighbors and eerie atmosphere of her new apartment building—especially when her pregnancy starts to feel… off. With a dry wit and sharp satire, the story plays on classic horror tropes, turning paranoia into pure comedic dread.
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↩ Reprints Mad #115 (1967), Mad #122 (1968), Mad #123 (1968), Mad #124 (1969), Mad #125 (1969), Mad #126 (1969)
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