Mad #493
☆ Be the first to review + Add to your collection — Join freeIn "The Fundalini Pages," Peter Kuper delivers a sharp, surreal twist on espionage with two self-contained strips that turn the classic spy game on its head. In one, the Black Spy is outsmarted by the White Spy in a high-stakes rocket heist; in the other, the White Spy finds himself prey to a bird that was never what it seemed. The story’s visual wit and layered absurdity are all drawn by Peter Kuper, whose distinctive style brings the whole surreal scenario to life. The cover, by Mark Fredrickson, captures the issue’s off-kilter tone with a striking, stylized image.
In this classic Mad twist, the eternal rivalry between the Black and White Spies takes a delightfully absurd turn: first, the Black Spy’s attempt to steal a rocket backfires when he gets caught in his own trap, and then the White Spy finds himself on the receiving end of a feathered surprise—literally. The humor lies in the escalating, perfectly timed slapstick of two spies outwitting each other with nothing but wits and a little help from disguise.
When a phone company builds a cell tower in Monroe’s yard and gifts the family top-of-the-line phones, things seem perfect—until they aren’t. Monroe’s usual brand of chaotic fun quickly unravels as the new technology spirals out of control.
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↩ Reprints Mad #229 (1982)
Reprinted in Mad's Greatest Artists: Mort Drucker #[nn] (2012), Mad #32 (2023)
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