Mad #182
☆ Be the first to review + Add to your collection — Join freeIn "The Castaway," a satirical take on the TV series Good Times, a Black family navigates the harsh realities of poverty and systemic neglect with resilience and dark humor. Written by Larry Siegel and brought to life by Angelo Torres’s expressive art, this Mad issue delivers sharp social commentary through its exaggerated, comedic lens. The cover by Bob Jones captures the story’s defiant spirit with a striking, stylized portrait.
In this satirical take from Mad #182, classic big-screen hits like *The Godfather* and *Jaws* get the Broadway treatment—complete with show-stopping numbers and over-the-top production values. The story follows the absurd transformation of cinematic blockbusters into musicals, where even disaster films get a tune-up and a tap-dance number.
In a sharp satire of the 1970s TV series *Good Times*, a Black family navigates the daily grind of poverty and under-employment, all while trapped in a relentlessly clichéd sitcom world. The story skewers the era’s TV tropes with deadpan delivery and typeset letters that underline the absurdity of it all.
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Reprinted in Mad #86 (1976), Mad #87 (1976), Mad #94 (1977), Mad Special [Mad Super Special] #33 (1980), Mad Special [Mad Super Special] #37 (1981), Mad Special [Mad Super Special] #35 (1981), Mad Special [Mad Super Special] #39 (1982), Mad Special [Mad Super Special] #50 (1985), Mad Special [Mad Super Special] #52 (1985), Mad Special [Mad Super Special] #69 (1989), Mad's Greatest Artists: Sergio Aragonès #[nn] (2010), Mad #28 (2022), Mad #32 (2023)
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