Le Monstre de Frankenstein #9
In "Les tueurs de vampires!", a cunning thief devises a scheme to exploit a wealthy man’s supposed blind guard dog for a ransom, only to discover the man sees perfectly—and the dog is no ordinary beast, but a retired werewolf. Chuck Winter’s dynamic artwork brings this eerie twist to life, while John Buscema and John Verpoorten’s striking cover captures the story’s unsettling tone.
In "Les tueurs de vampires!", Frankenstein’s monster flees a terrified village only to clash with Dracula himself—then faces a devastating choice when the vampire turns Carmen, forcing the creature to confront the horror of destroying her. A tense, visceral tale of survival and moral weight, drawn with haunting intensity.
In "Hallucinations d'un tueur de dragons!", a man’s sudden death in a construction accident triggers a final, vivid dream of heroism in a fantastical realm—where he faces monstrous beasts and dares to be more than he ever was. The story unfolds in stark, surreal strokes, blending gritty realism with wild fantasy, as the line between life and imagination blurs in a single, unforgettable moment.
In "Le chien-guide," a thief plans to exploit a wealthy man’s apparent blindness by stealing his guide dog for a ransom—only to discover the man sees perfectly, and the dog is no ordinary animal, but a retired werewolf who relies on his keen senses in the dark.
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↩ Reprints Uncanny Tales #22 (1954), Gunsmoke Western #58 (1960), Chamber of Chills #1 (1972), Frankenstein #9 (1974)
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