I Grandi Maestri #64
"Voodoo" delivers a gripping tale from the pages of I Grandi Maestri #64, where a hunter’s rescue of a girl from a fanatical group claiming her family is cursed soon turns uneasy as strange events unfold. Written by Archie Goodwin and brought to life with stark, atmospheric art by Reed Crandall—both inks and pencils—this story builds tension with quiet dread. The cover, a striking piece by Frank Frazetta, captures the eerie, primal mood that lingers long after the final page.
In "Voodoo," Frank, adrift after losing his job and pushing away his wife Sylvia, embraces a reckless life of freedom and drink—until Sylvia’s quiet departure takes a dark turn. As his descent deepens, a mysterious voodoo curse begins to twist his world, turning his newfound freedom into something far more dangerous.
In "La stirpe degli uomini pantera," a hunter stumbles upon a girl imprisoned by a group claiming her bloodline is cursed and must be erased. After rescuing her, he begins to question whether their warnings were more than just superstition.
In "Riunione di famiglia," Jack Cartwright inherits the family farm after his father Benson’s death, but his quiet return to the old estate hides a darker intent—his brothers, once his only family, may not survive the reunion. Written by the creators of *I Grandi Maestri*, this unsettling eight-page tale unfolds with a slow-burning dread, where blood ties are tested and the past refuses to stay buried.
In "La maledizione delle sabbie," Whitey abandons his friend in the merciless desert, only to stumble upon the hidden vault of Goddess Nepthy—its entrance sealed by towering sand vipers. The treasure lies within, but the desert’s ancient curse stirs as the snakes awaken, guarding secrets older than memory.
When two gravediggers unearth bodies for a medical school, their grim work seems straightforward—until they stumble upon the villagers, long buried and horribly marked by vampire bites. The discovery sets off a chain of unsettling events that blur the line between the living and the dead.
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↩ Reprints Creepy #1 (1964), Creepy #2 (1965), Creepy #3 (1965), Creepy #4 (1965), Creepy #5 (1965)
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