Creepy #5
☆ Be the first to review + Add to your collection — Join free"Family Reunion!" in Creepy #5 (1965) delivers a chilling tale of inheritance and betrayal, written by Archie Goodwin and illustrated by Joe Orlando, whose inks bring a sharp, unsettling edge to the story. When the youngest son, Jack, inherits his father’s farm after Benson Cartwright’s death, he sets out to eliminate his older brothers—each of whom has a claim—so he can sell the land. The cover, a striking piece by Frank Frazetta, captures the eerie atmosphere with its haunting imagery.
In "Family Reunion!" from Creepy #5 (1965), Jack Cartwright inherits the family farm after his father’s death, but he’s not interested in family ties—only in selling the land. With cold determination, he sets out to remove his older brothers, setting the stage for a tense and unsettling reunion.
In "Sand Doom," Whitey abandons his friend in the merciless desert, only to stumble upon the forgotten treasure vault of Goddess Nepthy—its entrance sealed by towering sand viper snakes. The story unfolds with a tense, primal dread as Whitey faces the ancient, deadly guardians of a long-buried secret.
In "Grave Undertaking," a pair of gravediggers in a quiet village find their work booming—until their nighttime excavations uncover something far more sinister than expected. As they dig deeper, the men begin to realize the dead aren’t just resting, but something ancient and hungry stirs beneath the soil.
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Reprinted in Creepy Yearbook #1968 (1967), Eerie #14 (1968), Creepy #22 (1968), Creepy #2 (1969), Creepy Yearbook #1970 (1969), Creepy Annual #1971 (1971), The Best of Creepy #5368 (1971), Creepy Annual #1972 (1972), Vampus #5 (1972), Vampus #6 (1972), Vampus #9 (1972), Dossier Negro Extra #[1] (1972), Macabre #4 (1974), Macabre #5 (1974), Vampir-Comic #3 (1974), Creepy #7 (1975), Vampirella #5 (1976), Creepy #137 (1982), Creepy #139 (1982), Creepy #142 (1982), Creepy #144 (1983), Creepy #146 (1985), Joyas de Creepy #[5] (1988), Creepy The Classic Years #[nn] (1991) + 13 more
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