HIP Comics #1975
In "Ergens ligt Doodskop Eiland," Stan Lee teams with Marie Severin and Herb Trimpe to deliver a striking chapter in the Hulk’s saga, where Bruce Banner’s fate hangs in the balance as the High Evolutionary attempts to perfect his experiment. When the New Men storm the lab, Banner’s transformation into the Hulk unleashes a battle that reshapes the future of Wundagore II, culminating in the Evolutionary’s radical self-evolution. Dan Adkins’ cover captures the eerie tension of the moment, while the story’s emotional core lingers long after the final panel—leaving the Hulk isolated on a silent, transformed world.
In "Wat heb ik geschapen?", the High Evolutionary’s experiment on Bruce Banner reaches a breaking point when the New Men intervene, triggering Banner’s transformation into the Hulk. As the battle unfolds, the Evolutionary makes a radical choice—evolving himself into a being beyond time and form, undoing his creations and dissolving into cosmic consciousness. Left behind on the desolate Wundagore II, the Hulk stands alone, the sole conscious life on a planet stripped of all meaning.
In "De soeverein en de wilde," Namor is trapped on Doodskop Eiland, held captive by a lone plunderaar who tries to convince him to join forces. When the Moerasmensen launch an attack on the base, their sudden arrival sets Namor free—though the consequences of that freedom remain uncertain.
In "De levende bliksem," the Hulk, after rescuing a downed pilot, is captured and manipulated by the radical militia known as the Living Lightning. Forced into their service, he soon turns against them, driven by a growing instinct to dismantle their nearby army camp.
In "De indringers," aliens from a parched desert planet mistake a vast ocean for solid ground, landing their invasion fleet only to watch it sink without a trace. The story unfolds with quiet dread as their mistaken assumption sets off a chain of events that could change everything.
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↩ Reprints Tales to Astonish #34 (1962), Tales to Astonish #96 (1967), Tales to Astonish #97 (1967)
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