Gysertimen #4
In "Det var kattens til mis-forståelse," a 1987 DKK 22.00 comic from Interpresse, the mystery of Lionel’s eerie hearse deepens as the story unfolds through the eyes of curious townschildren. Written by Al Feldstein, Bill Gaines, and Peter Nørgaard, with art and inks by Jack Davis and lettering by Rebecca Løwe, the tale reveals the unsettling truth behind the curtain in the hearse’s back—uncovering a past that blurs life and death in ways no one in town could have imagined. The cover, also by Jack Davis, captures the story’s chilling tone with its stark, unsettling imagery.
In "Det var kattens til mis-forståelse," a desperate derelict agrees to a grotesque experiment: having a cat’s nine lives gland transplanted to fuel a series of death-defying stunts. When the man betrays the doctor to keep more of the profits, the doctor quietly reveals the cruel twist—since the cat had already used one life, only eight remain.
In "Som man sår..." from Gysertimen #4 (1987), a man’s quiet plan to reclaim his wife unravels when her return brings a chilling reckoning. As he welcomes her back, the weight of his secret—paid for in blood—crashes down in the stillness of their home.
In "Den der kører i ligvogn kommer også med," a quiet town trembles at the sight of Lionel, the man who drives a hearse through the streets, his rented house empty and his past shrouded in fear. Kids stare at the curtain in the back of his car, wondering what hides behind it—until we learn the truth of his arrival, a moment when death came knocking and found a twin who never died.
In the eerie stillness of the Woltam Theatre, three actors arrive at a stage entrance that feels too real for a rehearsal. When the production of Hamlet stalls over a missing prop, Blye’s sudden offer to step in ignites a quiet tension—his acceptance comes at a cost, and as the role of Hamlet takes hold, the skulls used in the Yorick scene vanish one by one.
In "Et mindre onde," Doc Swanson confronts the chilling truth behind a series of brutal murders in a quiet town, leading him to the long-abandoned mansion on the hill. As he pieces together the clues—bodies with slashed throats and locked doors—the Sheriff’s eerie insistence on an inhuman killer only deepens the mystery. When the truth finally unravels, it reveals a horror rooted in the mansion’s darkest past, where a deformed child’s twisted fate becomes the key to the killings.
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↩ Reprints Vault of Horror #27 (1952), Shock SuspenStories #6 (1952), Vault of Horror #30 (1953), Haunt of Fear #21 (1953), Vault of Horror #33 (1953), Shock SuspenStories #14 (1954), Tales from the Crypt #44 (1954), Vault of Horror #39 (1954)
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