E.C. Classic Reprint #7
☆ Be the first to review + Add to your collection — Join free"Two of a Kind!" is a standout tale from the E.C. Classic Reprint series, featuring a sharp, darkly comedic twist on political corruption and backroom deals. Written by Al Feldstein and Bill Gaines, with art and inks by Jack Davis, the story follows Hornsby’s scheming bid for a road contract—only to see the city’s power players outmaneuver each other in a series of escalating betrayals. The cover, by Johnny Craig, captures the eerie, off-kilter tone that defines this classic horror-comedy blend.
In "Two of a Kind!" from E.C. Classic Reprint #7 (1974), actress Willow Dree—whose image always eludes the camera—finds herself stranded with fellow star Brad Phillips in a remote cabin after a blizzard cuts off escape. As isolation sets in, the eerie truth behind Willow’s photographic curse begins to surface, turning their retreat into a chilling test of trust and survival.
In "Graft in Concrete!", a ruthless contractor named Hornsby leverages a secret document to blackmail the Mayor into securing a road contract—only to find himself outmaneuvered when the City Council demands the road pass through a cemetery. With a twisted compromise, the council agrees to move only the headstones, not the bodies, setting off a chain of dark deals that culminate in a chilling drive on the newly paved road. When the council members’ car is overturned and hands burst from the pavement, the horror is only beginning—because the next morning, the troopers find the road itself has claimed its victims, perfectly embedded in the concrete.
In "Half-Way Horrible!", a man haunted by a fractured mind recounts his terrifying descent to a voodoo witch doctor in Haiti, seeking to rid himself of his darker half—only to discover a chilling truth in the quiet of a dim apartment. Written by an unknown author and illustrated by an unknown artist, the story unfolds as a man named Boxer listens, stunned, to a confession that blurs the line between madness and something far more sinister.
In "Hook, Line, and Stinker!", Bernice, tired of years of Stanley’s fishing trips and the endless parade of mounted fish, finally follows him one Saturday morning—only to uncover a shocking betrayal. What begins as a quiet, simmering frustration spirals into something far more personal, as Bernice’s love for Stanley takes a dark, unexpected turn.
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↩ Reprints Vault of Horror #26 (1952)
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