Dracula #2/[1972]
"Innanför bidar fasan" marks a pivotal moment in the Dracula series, as Drake returns to Draculas castle with the Count’s coffin bound for England. With Jeannie, now in vampiric form, manipulating Graves into launching an assault, the stage is set for a deadly confrontation—Dracula himself joining the fray. Written by Gerry Conway and illustrated with moody precision by Gene Colan, with inks by Vince Colletta and lettering by Lisskulla Berg, the issue’s cover by John Severin captures the tension in stark, haunting detail.
In "Innanför bidar fasan," Drake returns to Dracula’s castle with the Count’s coffin, setting a deadly chain in motion. As Jeannie—now in vampiric form—tempts Graves into attacking Drake, both Dracula and the undead forces converge on their target. The night unfolds in shadow and blood, where loyalty is tested and the dawn brings irreversible change.
In "Mannen som tämjde tiden," a struggling antiquarian uses a forbidden grimoire to construct a cubic time machine, journeying to 1700s France to steal treasures for profit. Trapped in the past when the machine fails to power up without electricity, he watches calmly as his plan unfolds—his expression unreadable, his fate uncertain.
In "Från andra sidan!", a writer delves into the story of Hayden Hathaway, a man consumed by a relentless drive to expose fake mediums—only to discover one who truly sees beyond the veil. What begins as a quest to debunk the supernatural slowly unravels into something far stranger, as the truth about Hathaway’s own nature begins to surface.
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Reprints
↩ Reprints Tales to Astonish #14 (1960), Tower of Shadows #1 (1969), Tomb of Dracula #2 (1972), Tomb of Dracula #3 (1972)
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