Doomsday Clock #7

The seventh chapter of Geoff Johns and Gary Frank's twelve-part saga takes a quietly haunting turn with a cover that lets a single blue-grey moth perched on a massive green metallic structure do all the talking. That image — fragile, almost serene against the luminous, rain-slicked machinery surrounding it — carries more tension than any battle scene could. Brad Anderson's green-drenched palette gives the whole composition an eerie, otherworldly glow that feels perfectly suited to a story chapter titled "Blind Spot.