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Captain Billy's Whiz Bang, September 1921 · page 46 of 68

Captain Billy's Whiz Bang #27 — page 46: what you’re looking at

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Captain Billy's Whiz Bang #27 — page 46: Captain Billy's Whiz Bang, September 1921

What you’re looking at

This page from *Captain Billy's Whiz Bang* satirizes **Charlie Chaplin's declining public relevance** circa the early 1920s, comparing him unfavorably to contemporary celebrities. The piece describes how **Douglas Fairbanks and Mary Pickford**—then major Hollywood stars—drew massive crowds during a Boston trip, while Chaplin went unnoticed. It mocks Chaplin's attempt to stay relevant by appearing with boxer **Jack Dempsey**, suggesting he's become a supporting player to bigger names. The satire's core point: Chaplin's emotional instability and bitterness are ruining his image. The anecdote about him nearly attacking a reporter who compared him to **Lenin the Bolshevik** suggests Chaplin's defensive, hostile attitude toward Americans. The author implies Chaplin is having a nervous breakdown—his "divorce suit" and gray hair symbolizing his deterioration. The joke targets Chaplin's wounded ego and poor publicity management rather than his talent, portraying a once-great entertainer becoming bitter and irrelevant.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

44 Captain Billy's Whiz Bang I'm telling you the truth, children. The day that Doug and Mary went to Boston, the crowds lined the railroad track at every station as though it were the Royal Mogul passing by. Charley Chaplin didn't register very heavily —except in the newspapers. The truth is painful, but must be told. Charles was lost in the shuffle. It wasn't "his stuff" as the newspaper men say. The night the show opened, Douglas, finding it hard to make a way through the crowd, picked Mary Pickford up on his shoulder and bucked his way through like a football half back. Charley couldn't very well pick up Jack Dempsey on his shoulder so he played second fiddle. I don't know what's the matter with Charley. His divorce suit must have been a shattering experience. His hair is growing gray around the edges, and his nerves seem on the raw edge. One day he was being interviewd by a gang of reporters in his suite at his New York hotel, and nearly chewed off the head of one of the newspaper men who asked him with what American he compared Lenin, the Bolshevist. Without warning, Charles tore into the reporter and handed him a cutting rebuke for his stupidity. He talked scornfully about "you Americans"—which is poor stuff for Charley. To tell the truth, I thought he was going to cry. And I guess he wasn't far from it. Charley told me afterward that his nerves are