The Argosy — page 72: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

“ Ecco Roma!” 59 Shelley, but more of the divine trust. Keats had not Shelley’s morbid doubts and difficulties in regard to the unseen ; but his short life is an unbroken record of sadness and unhappiness. None of the joys of earth were his. His heritage of genius brought him only pain. He died unappreciated, his end probably hastened by that a ' ab “mm ‘ml oe foe a ae re 7, == — mh } Ne na ag ie ip ie bul te wa evi 1 Lae Coe pee rey vuilt t sited Tr Sag | iy ih “th Ibs te Em a THe AS = nie ee 1 ¥ a ms fs ipamne = = faa : Ge a site bs a a | j oe = lah ie = a ae: an a) Les Rep. = aoa B= oo th eM a aa ao Vi Uy ‘e = : eA, MeN Ys ty 4, ye “ en ao as ee | = | i‘ in a a | a zs) f | NUKE a sat is A ai : Ces a ? P i ii i oN # rep ¥ ) i th oe =i a ve N ve - ee ie Ne = i Hl ‘eam ==) q Hy ~~. * ————= ——. = Mi i : Ke ie a3 ‘te i ee oh el ‘ = x) al ‘¢ = - li ty NU ¥ ! Ns Siz Fig in is sf L ee par, ae FEES s85=s ee Ss IN THE CAMPAGNA. “malicious power of his enemies;” an exile; lonely and alone. Shelley had many joys and pleasures. To be happy was a necessity of his being. Yet how morbid, how sad, were many of his days and hours; for under the necessity for happiness, there turked for ever the shadows of doubt and melancholy. What a halo of romance entwines itself about the names of those three poets, Byron, Shelley and Keats, How associated are they with the sunny land of Italy, a Me fe ; COMIiCcoooKks.cornn