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Pulp Fiction, 1941 · page 109 of 116

10-Story Detective, March 1941 — page 109: what you’re looking at

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10-Story Detective, March 1941 — page 109: Pulp Fiction, 1941

What you’re looking at

# Page 107: Story Text and Advertisement This page contains the conclusion of a hardboiled crime narrative alongside a substantial advertisement. The fiction section depicts a dialogue between characters named Clark and an actress, Doris Adair, who has infiltrated a criminal operation. Clark questions her about a vault key, her involvement with a man named Wilson Drake, and her recent jailing. The narrative involves kidnapping, murder threats, and criminal intrigue. The right half of the page features a large advertisement for "Sherwin Cody's School of English," promoting a method to correct common English mistakes in fifteen minutes daily. The ad includes a photograph of Sherwin Cody and describes his "remarkable invention" for improving speech and writing through habit-formation rather than memorizing rules.

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searched the room for other of the _rowdies and focused on a woman in a far corner. It was Doris Adair. “Sit down,” Slug rasped. “I got orders to keep you two here till after ten o’clock. Then Lynch is gonna rub you out personally, Clark. But you ain’t got nothing to worry about, lady. Just sit quiet like 1 told you, and you won't get hurt.”’ Clark sat down by the actress. “T’ve been a captive here all night,” she explained. Doris Adair’s perfume pervaded Clark’s senses. The halo of yellow- gold hair framed her small face. He shook off the spell she cast over him. ‘‘How’d you get in?” he asked, try- ing to sound gruff, “I climbed the fire escape,” she smiled. “These two were waiting for you, but they considered holding me Seen, also.” Reser on Clark smiled. “T’ve been afraid for my life,” the actress admitted in a low voice. “My telephone was tapped. I’ve been con- stantly shadowed. You will find on in- vestigation that the key—G-41— is a vault key, made out to my name. Also, if you will compare my shade of lip- stick with the color on the note in which the key was wrapped, you will find it identical. I have them made especially for me, so they are pe- culiarly different.” _ | Clark said: “I’m sure it’s your key, all right. But tell me, where does Wil- son Drake fit into the picture, and what has Pete Lynch got to do with it—and why were you in jail?” “It was a trumped-up charge to get me out of the way till after pro- bate of my husband’s first will—this morning, at ten o’clock. Mr. Drake effected my release. Had it not been for him—” “He was very much interested in you ?”’ She nodded. ““Very much.” “And you?” “Wilson Drake was a persistent suitor. He had money, power, and in- atten sat —HOMICIDE LEGACY. 107 lo You Mal these Mistakes in ENGLISH? Sherwin Cody’s remarkable invention has enabled more than 100,000 people to cor- rect their mistakes in English. Only 15 minutes a day required to improve your speech and writing. ANY persons say, “Did you fj hear from him today ?’’ They should say, ““Have you heard from him today ?”* Some spell ‘‘cal- endar” “calender” or “ealander.” Still others say “between you and fa instead of “between you and me. it ig astonishing how often ‘who’? is used for ‘‘whom,” and how frequently the simplest words are mispronoun Few know whether to spell certain words with one or two “e’s”’ or ‘‘m’s” or “‘r’s,”? Sam or with “‘ie’”’ or “‘ei.”” Most persons use only common words—colorless, SHERWIN CODY flat, ordinary. Their speech and their letters are lifeless, mono’ » hum Every time they talk or write they show themselves lacking in the essential points of English. Wonderful New Invention For many years Mr. Cody studied the problem of creating instinctive habits of using good English. After countless experiments he finally invented a simple method by which you can acquire a better eommand of the English language in only 15 minutes a day. Now you can stop making the mistakes which have been hurting you. Mr. Cody’s stu- dents have secured more improvement in five weeks than previously had been obtained by other pupils in two years! Learn by Habit—Not by Rules Under old methods rules are memorized, but correct habits are not formed. Finally the rules themselves are forgotten. The new Sherwin Cody method provides for the formation of correct habits by calling to your attention constantly only Higa mistakes you yourself make. One of the vbsiehniihas things about Mr. Cody’s course is the speed with which these habit-forming practice drills can be carried out. You can write the answers to fifty questions in 15 minutes and correct your work in 5 minutes more. The drudgery and work of copying have been ended by Mr. Cody! You concentrate always on your own mistakes until it becomes ‘‘second nature’? to speak and write correctly. FREE—Book on English A new book explaining Mr. Cody’s remarkable method is ready. If you are ever embarrassed by mistakes in grammar, spelling, punctuation, pronunciation, or if you cannot instantly command the exact words with which to express your ideas, this new free , book. ‘‘How You Can Master Good English—in 15 Minutes a Day,’’ will Dire a Aghensgeer ee Send the coupon or a letter or postal card for it No will call. SHERWIN CODY SCHOOL OF ENGLISH, "1273 eatin ‘Building, Rochester, N. Y. PSSST SSeS ee eS Sees eee ease ay - SHERWIN CODY SCHOOL OF ENGLISH - g 1273 Searle Building, Rochester, N. Y. s : Please send me, without any obligation on my part, your | g free book, “How You Can Master Good Eng tish—in mt nm : Minutes a Day.’’ 5 i] a a Namo .ccccccccccccccccccnccsccccccces Ceo coocceseocceare a i Please print plainly ~ a - Address @eeeeeeeoe @eoeeteereoe @eeeeeeeeeeneoe tte eeeoevneeeeveeoe ee - . - a 3G) 0 vestt cc aaic ok arc oc ela STTiLirttitLLiLLiLititttitfttftftfttetttltlt Please mention AcE FICTION Group when answering advertisements COmMIiCLooks CO