Life, 1927-02-10 · page 24 of 43
Life — February 10, 1927 — page 24: what you’re looking at
What you’re looking at
This is a humorous cartoon about a child's literal interpretation of adult instructions. The image shows a young boy ("Tim-Tim") and his new governess, who has apparently misunderstood or overzealously followed directions about proper tea service. Rather than pouring cocoa into a cup in the conventional manner, she's pouring it directly into the saucer—likely because she was told to serve it in a saucer or misheard some instruction about the serving method. The joke relies on the contrast between adult expectations of proper household conduct and a servant's comical misinterpretation, a common theme in early-twentieth-century humor. The cartoon satirizes both the strict formality of domestic service and the absurdity that can result from poor communication or overly literal instruction-following in upper-class households.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Owing to the time it takes to print Lire, readers should verify from the daily newspapers the continuance of the attractions at the theatres mentioned. More or Less Serious An American Tragedy. Longacre—Worthy of the novel—a: that is meant to be a very dirty crac Caponsacchi. /lampden's—Walter Hampden, the costumer's delight. The Captive. mpire—An intensely interest- ing handling of a delicate subject Civic Repertory Theatre. (14th St.)— Le Gallienne and company in a worthy expe ment. The Constant Nymph. Cort—A treatment of the novel which has moments of fine pathos and excellent comedy. The Dark. Lyceum—To be reviewed later. Honor Be Damned. Morosco—By and with Willard Mack. To be reviewed next week. In Abraham's Bosom. Provincetown— thing to think about on the Negro problen Laboratory Theatre. (Fast S6th St.)—More experiments for those interested in experiments, The Ladder. Waldorf—A lot of money being spent on reincarnation—and for what? Lady Alone. Forrest—Alice Brady again proving how good she is. Lulu Belle. felasco—Next to Abie’s Irish Rose" the st Gentlemen Prefer Blondes. Times Square— A dramatic replica of the book, with June Walker and Edna Hibbard as the delightful young ladies. Mozart. Forty-Sixth St.—Those incomparable Guitrys. New York Exchange. Forty. Ninth St—"Cra- dle Snatchers” carried out several place The Night Hawk. Frolic—Bringing up the subject of glands again, The Play's the Thing. Henry Miller's—Some very funny stuff in a light sketch by Molnar, with Holbrook Blinn heading the cast. rgmalion. Guild—Lynn Pontanne giving Shaw a break. The Red Lily. Comedy—To be reviewed later. The Road to Rome. Playhouse—With Jane Cowl. To be reviewed next week, Sam Abramovitch. National—Not so good. Saturday's Children. footh—To be reviewed next week Sinner. Klux —To be reviewed later. Tommy. Gaiety—Pleasant. Two Girls Wanted. Little— enough, The Wild Man of Borneo. Hijow—To be re- viewed later. The Wooden Kimono. Martin Beck—Kidding melodrama. Eye and Ear Entertainment Bye, Bye, Bonnie. Rits—If you like musical comedy, this ought to suit. Countess Maritza. Forty-Fourth St—A Vii nese score, well sung. Criss-Cross. Globe—Pred Stone and family. The Desert Song. Casino—Above the average. Gay Paree. Winter Garden—A good Winter Garden show, made better by Chic Sale. George White's Scandals. A pollo—Very few have missed this. Our advice would be not tc Honeymoon Lane. Knickerbocker — Eddie Dowling’s generally satisfactory offering. I Told You So. Royale—Sam Rernant in something that started out named “Piggy. The Nightingale. Jolson—Nice singing by Eleanor Painter. Oh, Kay! Imperial—Ger- trude’ Lawrence, Victor Moore play in town, showing, as Miss Is says, that what the pub- lic wants is’ clean drama moti- vated by brotherly love. Ned McCobb’s Daughter. John Golden—A darned good Show, acted as it should be by e Eames, Alfred Lunt and the rest. The Noose. Hudson—One of those melodramas, with a good performance by Rex Cherryman, Pinwheel. Neighborhood—To be reviewed later. Puppets and Passion Masque—To be reviewed later. Sex. Daly's—Not even dirty. The Squall. Forty. Pighth St. - Spanish version of the old story of the girl who comes to visit and cleans up the men-folk, The Wandering Jew. Cosmo- politan—To be reviewed later. Comedy and Things Like That Abie's Irish Rose. Republic— Dum-de-dum-de-dum, dum-de- dum-de-dum, do, do, do like you done, done, done before. The Barker. Biltmore—Re- viewed in this issue. Broadw: Broadhurst — A swell melodrama. Chicago. = Music Bor—A good, bitter sock at several na- tional characteristics delivered with a slapstick. Prancine Lar- rimore heads the cast. The Constant Wife. Maxine Filiott's—Ethel Barrymore's dish, with a highly satisfactory evening resulting. The Devil in the Cheese. Charles Hopkins—Occasionally effective fantasy showing what goes on ina young girl's mind. “TIM-TIM's 3 POURS HIS COCOA INTO TIIk SAUCER, and Oscar Shaw ina smart show, Oh, Please! = Fulton—Well, there’s Beatrice Lillie — and Charles Winninger, and that’s enough for any show. Peggy-Ann. Vanderbilt — Helen Vord in. very” nice Plymouth—The rebirth of bert and Sullivan. On Thurs¢ nights, “lolanthe.” Queen High. Ambassador— Luella Gear, Prank McIntyre and Charles Ruggles in what is getting to be one of the older favorites. The Ramblers. Lyrie—Good clowning by Bobbie Clark. Rio Rita. Zirgteld—To be re- viewed later. Rose-Marie. Century — We don’t have to tell you about this one. Twinkle, Twinkle. Liberty— Joc Brown'is comical, but that is about al Vanities of 1927. Fart Carroll —The regular Carroll stafi— Julius Tannen, Moran and Mack with some Charlot people in addition. Yours Truly. Shubert—With Leon Errol. To be reviewed Beat week. Not a Chance LO: Do you believe that he'll be devoted to you? Jo: Heavens, no— why do you suppose I'm marrying him? comicbooks.com W WI