Life — July 15, 1926 — page 20: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

More or Less Serious Craig's Wife. Morosco—A_ good, straight forward play about a woman with a house- complex. Chrystal Herne as the woman, The Great God Brown. Klaw—The human soul in its permutations and combinations, im- pressively set forth by Eugene O'Neill. ul Owing to the time it takes to print Live, readers should verify from the daily newspapers the continuance of the attractions at the theatres mentioned. The House of Ussher. Forty- Ninth St.—Mod- crate entertainment. Kongo. Biltmore—African hoke done up in bundles of ten. Not without a certain effective- ness, however. Lulu Belle, Belasco—Lenore Ulric as a colored Carmen who discovers that you can push a man too far. Henry Hull in able support. Wilt only I ty NOBLESSE Parsons: THE TRADESPERSO: THE HOUSE, M Stranger: 1 AIN’T NO TRADESPERSON, Parsons: OM, 1 BEG YOUR PARDON, SIR. IN A MOMENT, I SHALL ENTRANCE 18 IN THE REAR OP Y¥ GOOD MAN. 1’M TH’ BOOTLEGGER. IP YOU WILL BE 80 GOOD AS TO 8TEP SUMMON THE MASTER. Sex. Daly's—The old line, handled in the old manner, The Shanghai Gesture. Shuber!—The wages of sin—with time and a half for overtime—paid by Trorence Reed as the proprietress of a Chinese brothel. Comedy and Things Like That Abie’s Irish Rose. Republic—Some days we have the queerest feeling in the back ot our head. You don't suppose we're going mad, do you? Alias the Deacon. Hudson—Regulation but fairly amusing regulation. At Mrs. Beam's. Garrick—Terrific upheavals in a London boarding-house. Cradle Snatchers. Music Box—Three matrons with girlish ideas, and pretty embarrassing it is, too, if you ask us—which nobody seems to do. Honest Liars. Sam H. Harris—To be re- viewed later. Is Zat So? Forty-Sixth St—Rough conversa- tion which seems as good this season as last. Laff That Off. Wallack's—Nothing to give up your vacation to see, yet better than lots. Love-in-a-Mist. Gaiety—A moderate comedy made more than that by Madge Kennedy. The Man from Toronto. Cori—Nothing much. One of the Family. Eltinge—Parcical family trouble, involving Grant Mitchell. The Pat Booth—Pieasantly mild. Pomeroy's Past. Longacre—Laura Hope Crews ans t Truex in highly entertaining light-talk. Square Crooks. tells the story. Maxine Eltiott's—The name Eye and Ear Entertainment Americana. Belmont—To be reviewed later. The Cocoanuts. Lyric—The Marx Brothers, and very comical they are. Garrick Gai smart burlesques. The Girl Friend. and Puck and White Grand Street Follies. revue which docsn’t The Great Tempt. big. naughty show. Tolanthe. bert and § Garrick—Young folks in Vanderbilt—A good score ‘ci ghborhood—Satirical Winter Garden—A Plymouth—The best revival of Gil- Hivan’s best. Kitty’s Kisses. Playhouse—Not much aside from the dancing. The Merry World. Imperial—Good. varied entertainment, with several British comedians. A Night in Ps Casino de Paris—Diversion on the Century Roof. No Foolin’. Globe—Reviewed in this issuc. Scandals of 1926. A pollo—Gcorge White's biggest. with lots of good people, such as Willie Howard, Harry Richman, Ann Pennington and Tom Patricola. Song of the Flame. Kosta in singing. Sunny. New Amsterdam—Marilyn Miller, Jack Donahue and the rest of the stars in this don’t seem to be worrying much. Why should they? The Vagabond King. year for this one. Vanities of 1926. Earl Carroll—There is a new one due along soon, but this one has Joe Cook, Julius Tannen and Frank Tinney. Forty-Fourth St.—Tessa Casino—Pretty near a comicbooks.com O has si a tink one 0 across cent | nudit \ a littl nudit youn thes in thy busin more. gives work cant Ww is no durit Girl, | cumt ever Und “Boo Revu Al busir for i