Life, 1926-07-08 · page 22 of 41
Life — July 8, 1926 — page 22: what you’re looking at
What you’re looking at
This page from *Life* magazine functions primarily as a **theater guide** listing Broadway shows with brief reviews, organized by genre (serious drama, comedy, entertainment). The cartoon at bottom satirizes **youth culture and changing social norms** of the 1920s. A young woman ("Ysobel") returns home at 2 a.m., prompting her mother's complaint. Ysobel's response—that she has her own latchkey but "somebody had to let grandma in"—is the joke: it suggests the grandmother was out even *later*, playfully inverting generational expectations. This reflects the "Roaring Twenties" anxiety about young women's newfound independence and late-night social freedom (dating, nightclubs), while humorously implying that even older generations were participating in modern nightlife. The humor relies on the reader's awareness that such late-night independence for unmarried women was considered scandalous by conservative standards of the era.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
'y from the dai Owing to the time it takes to print Lire, readers should veri newspapers the continuance of the attractions at the theatres mentioned. | More or Less Serious Comedy and Things Like That Lulu Belle. Relasco—The story of a colored Abie's Irish Rose. Repub! Carmen and how got hers. more Ulric American freedo y Craig's Wife. Morosco—A prize play Ry at her best, with Henry Hull ably supporting with a woman who thought more of get herself fixed for life than she did of the man she too, icked to fix her. Chrystal Herne shows w her pecame of her, and how she won the Pulit One Man's Woman. Forty-Eighth St—We plays about c | Prize. hear that this is still running. On what? hearted old ge | The Great God Brown. Klaw—Eugene — gex. Daly's—Nothing to shake yout At Mrs. Beam's. Gui O'Neill's drama of doubling in personality, which may not convince but which ought to interest you in a London boarding-h over, Just anot { those The Shanghai Gesture. | Shabe [ Cradle Snatchers. Music Box—The funny Kongo. Bilfmore—All the African to a ass side of retour d'ge, if there is one. that have ever been beaten, with an occa: Madame Florence Reed rece! The Half-Naked Truth. Mayfair—Certai: kick in the midst of your cynical laughter dispensing wise-cracks. nots The House of Ussher. Forty- Ninth St—Just middling. , The Impor An “Ss of Being Earnest. Rits injection of adrenalin into Oscar Wi Gr Is Zat So? Forty-Sixth St.—Good tough talk. Laf That Of. Wulluck's—All right if you don't expect much. in-a-M Gaiety — d Kennedy bucking up a clean hittle comedy. The Man from Toronto. Selwyn—Very mi on One of the Family. Eltinge—Grant Mitchell in a farcical famil © The Patsy. sal pleasant, if not mi ; thi Pomeroy’s Past. Longacre—Highly enter its k between Laura Hope Crews. - hers. St Square Crooks. Maxine Elliot as not very good ‘mM What Every Woman Knows. Bijou—Helen Hayes placing Barrie in her debt. Eye and Ear Entertainment Americana. Belmon!—To be reviewed later. Marx Brothers The Cocoanuts. /.yric—T showing how funny clowni those who know what is being kidded. The Garrick Gaieties. Garrick—Kidding for T The Girl Friend. Vanderbilt—Ge music comedy, with Puck and White. Vg The Grand Street Follies. Neighborhood— | of Reviewed in this issue. The Great Temptations. Winter Garden— Ho Thanks to the play j probably a good eve- is ning’s enterta’ nt by now Re Tolanthe. Plymouth—Our favorite Gil ‘a and Sullivan, done as we delight in seeing it do Kitty's Kisses. Playhowse—A medi show with lots of fast dancing. The Merry World. /mperial—More comedians in another smooth show bert touch thrown in for speed A Night in Pi and Broadway agreeable evening of No Foolin’. Globe—To be reviewed next I week. de Paris—Prench naking quite an Scandals of 1926. A pollo—Reviewed in this issue. Song of the Flame. Forty-Fourth St—Tessa Kosta in the midst of good Russian singing. = Sunny. New Amsterdam—What with Marilyn Miller and Jack Donahue and the rest, you can't OUR GIDDY YOUTH beat it on ti . The Vagabond King. Casino—Por those who Mother (coming in at 2 a, M.): YOU NEEDN'T HAVE WAITED UP FOR ME, _ like their comic opera as it used to, and should, be. | gr YSOBEL. 1 HAVE MY OWN LATCHKEY. Vanities of 1926. Earl Carroll—Joe Cook. | al - ius net dP inney, re Ysobel: 1 KNoW 1T, MOMMER, BUT SOMEBODY HAD TO LET GRANDMA IN. ey lor'you Brack “Tinpey, “There's | comicbooks.com