Life, 1925-10-15 · page 21 of 36
Life — October 15, 1925 — page 21: what you’re looking at
What you’re looking at
This page contains a satirical political cartoon titled "The Hell Campaign" depicting a confrontation between a political henchman (identified as "to Mayor Solan") and what appears to be an opposition figure. The cartoon illustrates a heated political dispute, likely from a mayoral campaign. The text below mocks the opposition party's campaign tactics, sarcastically suggesting they're making "lively" accusations while the henchman claims the opposing side has engaged in corrupt practices regarding "pavement of good intention boulevard" and enforcement of heat laws. The cartoon's satire targets both sides of a political battle—suggesting mutual accusations of hypocrisy and corruption. The grotesque caricatures and dramatic confrontation style were typical of Life magazine's political commentary in the 1920s, when such visual ridicule was standard editorial practice. Without clearer context about which specific mayoral race or year this references, the exact identities remain unclear, but the satirical intent—mocking political mudslinging and questionable campaign ethics—is evident.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
More or Less Serious Accused, Belasco—To be reviewed next The Bridge of Distances. Moroseo viewed next week The Buccaneer. Plym. xt week “The Call of Life. Comedy—To th— ross. Dutch. Lyceum—Unless you re es ng scen it all before somewhere, Will Mack may make you cry with this tory of the old ex-convict. Caught. Thirty-Nenth St The Crooked Friday. wed later. Desire Under the Elms. Daly's—Eugene Neill's of the ravages of sex in the New Eng rmlands The Green Hat. Broadhurst—Love ani lechery_ in the very best circles, made worth st headed by Kath To be reviewed ijou—To be re Hamlet. Hampden's—To be reviewed later \ e plot, anyway. nt—Showing the relative and chastity. . Square—Reviewed in They Knew What They Wanted. Alow— The oll man, the young wife and the virile rder made into a in spite of its | Leo Carrillo, Pauline Lord and Glenn The Vortex. Henry Miller’s—Noel Coward his own drama of high low-life which fur < genuine thrill White Cargo. IV’ t it does toa wh | Comedy and Things Like That Abie's Irish Rose. Kepublic—The big Michael Arlen hi American Born. Hudson—To be reviewed b's—The hot sun and € man. Applesauce. Ambassodor—To be reviewed t week. Arms and the Man. J—Lynn Pon t and Alfred Lunt lending vitality aw's rather tepid satire. | The Butter-and-Egg Man. Longaere- wed in this | Courting. antly mild. Cradle Snatchers. Music Box—Hilariously | nsive manifestations of retour d’ | The Fall of Eve. B. exceedingly unimp Long Island cocktail set The Family Upstairs. | Medel of middle-class h The Gorilla, Sciwyn—Just about as far as ¥ can go in melodrama burlesque. Hay Fever. Marine Elliott's—To be re wed later. The Holy Terror, Colen's—To be re- wed next week. Is Zat So? Chanin's—Prizefighting com which calls for no knowledge of prize ting to be enjoyed he Jazz Singer. Fulton—George Jessel Tewish sopples. The Kiss in the Taxi. Rito—A French © which somehow seems very funny as ¢ by Arthur Byron. The New Gallantry. Cort—Domestic Shaw ch sometimes connects and sometimes n't. _ Oh! Mama. Pleyhowse—Regulation French family life, with Alice Brady to make it somewhat different, Outside Looking In. Greenwich Village— The hobo at home. Should be on your list, whether you ‘ike it or not. Re ncess—Inoffensive Scotch, nin the 1925 Fall ee Owing to the time it takes to print Lire, readers newspapers the continuance of the attractions at the theatres me should verify fr The Poor Nut. Forty-Fighth St—Amusing Grand Street Follies collegiate comedy of athletics and Phi Beta seasons seem to m Kappa. uinely clever burlesque of last season's pl. The Tale of the Wolf. Empire—To be re Louie the 14th. Cosmopolit: od viewed later the eyes, with Leon Errol for These Charming People. Gaicty—To be re- Merry, Merry, Vanderbilt mate viewed later. sical show with much in favor . No, No, Nanette. Globe—A score which tly popular af—Worth hearing a i has long since been ju Eye and Ear Entertainment ig long singe been Artists and Models. Wiuter Garden—The second Hoffmann Girls and Phil Baker in by far the Scandals of 1925. Apollo—Not quite so best of the series. cond as me of George White's shows, but Big Boy. Forty-Fourth St—An Al Jolson better than most others at that revival meeting The Student Prince. Jolson’s—You can't Captain. Jinks. Martin Beck—Tunefully beat the singing usical version of the old Ethel Barrymore Sunny. New Austerdam—Reviewed in this comedy issue, The City Chap. Liberty—To be reviewed The Vagabond King. Cosino—“If I Were later. King” set to music ar Vani. to set The re us Tann Dearest Enemy. Kunickerbocker—Very nice Vanities. Ear! Carre ical comedy, with Helen Ford and Charles ties chorus effects, with J urcell. them off. Gay Paree. Shubert—Big revue, with Chic When You Smile. Nai Sale. viewed later. nl / | THE HELL CAMPAIGN Political Henchman (to Mayor Satan): YOUR HONOR, THE OPPOSITION PARTY 1S MAKING A LIVELY CAMPAIGN ; THE SPEAKERS SAY THAT YOU DON'T SIT ON THE LID HARD ENOUGH, THAT YOU GRAFTED ON THE PAVEMENT OF GOOD INTENTION BOULE- VARD, THAT YOU DON’T ENFORCE THE MORE-HEAT LAW, AND, YOUR HONOR, THEY SAY YOU ARE LOSING YOUR GRIP AND GETTING GooFry. comicbooks.com