Life — August 28, 1924 — page 21: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

More or Less Serious All God's Chillun Got Wings. Greeus ye—Eugene O'Neill's story of a Negro s tried to make good and what happened him. Paul Robeson capital as the hero Hudson—The trust husband the wife with the roving I 1 conjunction with the Dear O ic considerably different from the rest by cllent acting. jancing Mothers. « issue. Easy Street. Thirty-Ninth St wed next week, The Miracle. Century—Another chance to a spectacle such you have never seen Booth—Reviewed in To be re- White Cargo, Daly's—Showing that the pics are no place for a white man. Comedy and Things Like That Irish Rose. Republic—So we said ‘George, you can't expect us to do crything in this office, and besides—" The Best People. Lyceum—To be reviewed ter. Dr. David's Dad. Manderbilt—To be re- ewed next week Expressing Willie. Forty-Eighth St—One f the holdover comedies from last season “CIGARETTES, BOBBED HAIR AND PANTS! ERCE! Owing to the time it takes to print Live, readers should verify from the duily newspapers the continuance of the attractions at the theatres mentioned. which deserves to run well into the next. A crack at some popular applesauce. Fashion. Cort—Pleasant twitting of what Grandmama thought was a swell play in 1845. Fata. Morgana. Gerrick—Emily Stevens in a vivid demonstration of how a matron can make a bum out of an adolescent lover Hardly a comedy. Izzy. Broedhurst—To be reviewed later. The Show-Off. Playhouse—Just about the keenest piece of observation (George Kelly's) and characterization (Louis John Bartels’) that we have seen in many seasons. Strange Bed-Fellows. Henry Miller's— Not so fast, not so fast. It was originally zalled “So This Is Politics” and deals with complications that are exclusively civic. e Swan. Empire—A_ return engage- ment of one of last season's most distinctive plays, cut off in its prime by the strike. Re member the strike? Sweeney Todd. Frazee—Delightful mur- dering done in the good old-fashioned way so that it seems funny now. Werwolf. Forty-Ninth St.—To be re- viewed later. Eye and Ear Entertainment Charlot's Revue. Selweyn—An__ English show which may have revolutionized our own revue methods through its success. IT’S A MERCY.TO GAWD IT The Dream Girl Ambassad Bain- ter in a musical version of “The Road to Yesterday,” with Victor Herbert's last score. Grand Street Follies. Neighborhood—Con tains more real stuff than any of the com mercial revues. I'l Say She Is. Casino—Take us now; we laughed real hard at the Four Marx Brothers and still do every time we get a chance to see them again, Innocent Eyes. Winter Garden—Not our favorite show in town Keep Kool. Globc— mixture of Hazel and Johnny Dawn, Charles ‘King Dooley which’ manages to. swing well above the average. Kid Boots. Earl Carroll—By this time every one knows about this hit of Eddie Cantor's. We can add nothing Marjorie. Shubert—To be reviewed next week. No Other Girl, Morosco—To be reviewed next week. Plain Jane. Sum HM. Harris—Fair-to. middling, with a good prizefight scene and Joe Laurie, Jr. Scandals of 1924. top achievement. Ziegfeld Follies. New Amsterdam—Will Rogers carrying a big show on his tired but capable back. Apollo—George White's AIN'T IT AWFUL?” AN'T GO NO FURTHER!” comicbooks.com