Life — July 3, 1924 — page 21: what you’re looking at

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Owing to the time it takes to print Lire, readers should verify from the daily newspapers the continuance of the attractions at the theatres mentioned. More or Less Serious All God's Chillun Got Wings. Province. ‘ca—The real problem of the Negro shown Eugene O'Neill's tragedy, with Paul beson as its protagonist. Cheaper to Marry. Belmont—Verdict in vor of marriage as the lesser of two evils. Cobra. Hudson—Well-acted infidelity, with ze punch than infidelity usually offers. Cyrano de Bergerac. National—One of i best romantic dramas revived in iting fashion by Walter Hampden. Her Way Out. Gaiety—To be reviewed ext week. The Shame Woman. ining. White Cargo. Daly's—A vivid tale of spical demoraiization, Comedy and Things Like That Abie's Irish Rose. Republic—Next week vis goes under the heading of “More or Less Serious.” Beggar on Horseback. Broadhurst—Roland Young dreaming a delightful satire. The Blue Bandanna, Vanderbilt—To be reviewed next week, The Bride. Thirty: in what is unfort comedy. Expressing Willie. F prightly and intelligent soul, excellently done. Comedy—Mountain nth St.—Peggy Wood tely not a musical Eighth St— ing of the Over- Fashion. Greenwich Villege—Sophisticated laughter at the expense of an old-fashioned play produced as it was first in 1845. Fata Morgana. Lyceum—Emily Stevens making the seduction of a youth a highly poignant affair. , The Goose Hangs High. Bijow—The Younger Generation at bat. The Locked Door. Cort—To be reviewed next week, Meet the Wife, Klaw—A funny play which ought to have been much funnier. Mary Boland works hard to remedy this. The Potters. Plymouth—Scenes from everyday home life which you will recognize with a start. The Show-Off. Playhouse—Observation and characterization such as you will seldom find. A grand play. _So This Is Polit viewed in this issue, Spring Cleaning. Eltinge—Good, straight- forward dirt, considerably polished in its presentation by an excellent cast. Henry Miller’s—Re Eye and Ear Entertainment _ Charlot's Revue. Selwyn—A show that is a pleasure to laugh at. Flossie. Lyric—Reviewed in this ixsue. _Grand Street Follies. Neighborhood —In- side stuff, but Grade A. I'll Say She Is. Casino—The Four Marx Brothers. Nothing else in the world matters. “IS THERE ANYTHING ELSE I CAN ELIMINATE FROM TI Innocent Eyes. Winter Garden—Mistin- guett in a pretty terrible show Keep Kool. Morosco—Speed and general satisfaction, with Hazel Dawn, Johnny Dooley and Charles King. Kid Boots. Earl Carroll— liking Eddie Cantor. Little Jessie better now that Moonlight. singing songs. Plain Jane. funny, Poppy. Times Square—W. C. memorable characterization, Scandals of 1924, Apollo—T later. Sitting Pretty. Vogues. Shubert—Worth it to see Jimmy Savo and Fred Allen, Ziegfeld Follies. New Amsterdam—To be reviewed later. ‘ou can't help lames. Little—It_ may be iregory Kelly is in it. Longacre—Julia Sanderson Sam H. Harris—Joe Laurie is Fields in a be reviewed Imperiat—Neat and nice. “WELL, MY DEAR, YOU WON'T REALLY NEED THE comicbooks.com