Life, 1924-01-17 · page 21 of 36
Life — January 17, 1924 — page 21: what you’re looking at
What you’re looking at
This page is primarily a **theater review and entertainment listing** for Life magazine's "Confidential Guide" section, not a political cartoon. The main content comprises: - **Theater reviews**: Brief critical assessments of Broadway shows ("Cyrano de Bergerac," "Abie's Irish Rose," "The Blue Bird," etc.), typical of entertainment journalism from this era. - **The cartoon**: A small circular illustration showing a woman sweeping up scattered items in a room while exclaiming "Oh, well!" It accompanies a caption in "Advertising Circles" about the "Colt Boys" mistaking noise heard overnight—likely an advertisement or humorous anecdote about a commercial product. The page reflects 1920s theater culture and advertising practices. Without clearer context on the "Colt Boys" reference or product advertised, the specific joke remains unclear, though it appears to be a lighthearted domestic scene meant to humorously promote something to readers.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
¢ it takes to print Live, readers sh¢ continuance of actions at More or Less Serious Vv Heming : FE, Mathews a Little Mine Bluebeard amusingly frank sh The Blue Fifty. Ninth St—Elen The Swan. Cort of the sea Mary Jane McKane tary symbolisi beautiful setting. with Eva Le G. as the Poor Lit viewed neat week Cyrano de Bergerac. National—One of the Mr. Battling Buttler theatre's best, revived in splendid fashion by Neigh than some but that Walter Han Worth the nd S m 1 Music Box Revue. The D. bassader—The old stu t like “Abie’s Irish R yale Be well handled by Bi a he Whole Town's Talking. Fijou—Tit One Kiss. cast hang farce, with Grant Mitchell t eight a figeticane. Frolic f s 4 The Wild Westcotts. “Frozee—Keviewedl in and In the Next Room. —— Madge Ke Ee ee eee sea! tke , Eye and Ear Entertainment The Rise of Rosie O'Reilly {gahloneal buckeye, here it te at its be Artists and Models. Shubert—Not if t Laugh, Clown, Laugh! Belesce Rarrymore as the clown who loves. an Don't leave before the rainstorm in the Charlot’s London Revue. Times Squor To be reviewed later Greenwich Village Follies. H/inter Through the —Containing some of the be with Flor town. I Kid Boots. Earl Ca be reviewe Wi next week Ziegfeld Folt Little Jessie James. tain ce and tt's—Jeanne F ‘of repression and w Roseanne. viewed next week Saint with W Seventh Hea 0. , t | perbly acted Were str s! i f ie Shame oman. ¢ d ~Backwe fr t, i sen tit |/,Ob, well! | Sun. How the war > y 7 (——~ | eee Belm , Ment litt pla middle-class life, ing that men are alike, only some not 4 som 80 as others. White Cargo. Maly's 1 degradation Comedy and Things Like That Abie's Irish Rose. Republic—How the days are getting! ‘The Alarm Clock, Thirty-Ninth St Bruce McRae and other good people in not much of a play Aren't We All? CGaicty—Highly amusing trife, with G, P. Huntle Chicken Peed. Little—Another little play about marriage. For All of Us. Forty-Ninth St—William Hodge spreading good” Christian Science doctrine. Meet the Wife. Klaw—Mary Roland as the wife whose ad husband returns. Neighbors. Forty-Fighth St.—Reviewel in this issue. The Nervous Wreck, Sim H. Herris.— Hilarious gun-play and dish-amashing. with Otto Kruger and June Walker as ring-leaders The New Poor. Playhouse—To be re viewed next week. The Other Rose. Morosco—Fay Bainter and Henry Hull in a fairly thin mixture. The Potters. Plymouth—Genuine home stuff, with Donald Meek so good as the com: IN ADVERTISING CIRCLES edy husband that it verges on tragedy. The Song and Dance Man. Hudson—Re. THE COLT BOYS, ALONE OVER THE WEEK-END, REALIZED viewed in this issue. MISTAKEN ABOUT THE NOISE HEARD Dt G THE Ni Spring Cleanin, A. splendid cast Cineluding Estelle Winwood, TO SAY NOTHING ABOUT 1 comicbooks.com