ComicBooks.com Register / Loginit's free!

Life, 1923-09-20 · page 21 of 36

Life — September 20, 1923 — page 21: what you’re looking at

📖 Open the full issue in the page-flip reader →
Life — September 20, 1923 — page 21: Life, 1923-09-20

What you’re looking at

This satirical feature mocks the predictability of 1920s theater by cataloging hackneyed opening lines that immediately signal a play's genre. Each example—"Not a word to anybody. No one knows we're married" (bedroom farce), "It's been a hard day downtown, Margaret" (love drama), "Good evenin', Miss Ellen. Somehow, you look just like your dear mother" (sentimental play)—represents tired theatrical clichés audiences would recognize instantly. The accompanying cartoons (titled "The Gripping Melodrama") appear to depict an exaggerated, overwrought performance style typical of period melodramas, reinforcing the satire's point: theater-goers could predict entire plots from opening dialogue alone. The humor targets both playwrights relying on formulaic writing and audiences who accepted such predictable entertainment as normal. It's gentle mockery of commercial theater's standardized formulas.

📄 Transcribed text from this page (OCR, searchable)

Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

attractions s mentioned, More or Less Serious Casanova, Empire—To be reviewed Comed Chiliren of the Moon, f with” Hen ‘ity. propaganda, man in the cast. T Lullaby. Knickerbocker ; ter. To be re Sam H. Harris—To be Weston. later. Elliott's—A_ pow ale sex and eva Light Annie. Mor Fun with gats, and the pol Booth— Sev.nth Heaven. play of P, | the power of love Ss Up. Provincetown—Native Ame c quiet and cffective. T Woman on the Jury. El/tinge—You q © up the story from the name. Zz Forty-Eighth St-—All the murder y olled into one Comedy and Things Like That A Irish Rose. _ Republic—Person 1 are averse to it. We All. Gai € : light and very” plea c ie Goes Home. Forty-Ninth St r eviewed next week. Crooked Square. Hudson—To he later. Devil's Disciple. Garrick—Until it is just plain Ameri Then it becomes Shaw a Good Old Days. Broathurst— bition comedy” which reconciles Prohibition. Fires. Thirty-Ninth St—Home ont of a filing’ cabinet. The Jolly Roger. National-—Romantic terial, In Love with Love. Rits—Not much as yet very entertain’ Magnolia. _Libert pleasant _lapse n time Mississippi gambling circles. \ To kington play Mary, Mary, Quite Contrary. Belasco— r eviewed ext week. Mecton of the Movies. Cort—Glenn Hu as the heart-breaking hero. Tweedles, Fr Slight but nice Two Fellows and a Girl. Vanderbilt— p and marriage made unusually s hear about Weve Got to Have Money. succeed, Playhou. perhaps not in. pl or things Town's Talking. Re din this issue. Bijon— Eye and Ear Entertainment Cohan's—Just ts and Models. | Shubert—Proving thes _aren’t_e' ry Heen of Troy, N. ¥ —Several goo! laughs, several good tunes and in ger a pleasant evening. Liv le Jessie James. mu comedy Miss Longacre—Another Little view Bluebeard. Fifty-Ninth St—The new limited “to four weeks.” ‘ollo—Reviewed in this y Amsterdam—A_ two-weeks gement of President Polk's comic opera. candals of 1923. White still holding th Vanities of 1923. arvund show, Wildflower. Lyceum—Re- Globe fort. ar! Carroll—A good with Joe Cook. Casino—A grand score — Georgie LIFE The Crook Play AWSON, I expect a Mr. Ridge- way to call this evening.” The Bedroom Farce “Not a word to anybody. knows we're married.” No one The Love Drama “It's been a hard day downtown, Margaret.” The Glad Comedy “Nellie, don’t you know what to- Why, it’s Papa's birthday.” day is? The Play of the Great Open Spaces “They Mike's trail ag say Red hittin’ the in, Ned.” You Can Always Tell a Play by Its Opening Lines A Guide to Those Who Arrive Early The Sentimental Play Some- ‘Good evenin’, Miss Ellen. how, you look just like your dear mother used to look, this evenin’. The Tre “Another da edy of Hopel Will it neve The “Just say it's Jack Loquacious Comedy She'll know.” The Adaptation from the Polack “Yes, I am been a cab-driver for thirty-five years a cab-driver. I have My father was a cab-driver, too.” The Musical Revue “Oh, it’s girls, rls, girls, comicbooks.com