Life, 1923-03-15 · page 21 of 36
Life — March 15, 1923 — page 21: what you’re looking at
What you’re looking at
This cartoon satirizes wealthy industrialists' disconnection from ordinary workers. The illustration shows a well-dressed man falling from a tall building while workers on scaffolding above watch indifferently. The caption references "Mr. Hoover" justifying a "five-star supersweeper"—likely mocking Herbert Hoover's management philosophy or a corporate executive's absurd claims about labor-saving devices. The joke appears to critique how industrial leaders prioritize trivial gadgetry and cost-cutting measures while ignoring workers' actual welfare and safety. The falling figure suggests the human cost of such indifference. This reflects 1920s labor tensions and class criticism, when Life magazine frequently satirized wealthy businessmen's callousness toward working conditions and employee well-being.
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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
Owing to the time it takes to print Lire, readers should verify from the daily newspapers the continuance of the attractions at the theatres mentioned, More or Less Serious Dagmar. F roasted ham, imovg. Selwyn.—Fresh - + 35e. The Fool. Times Square—A modern New Testament, done over for the theatre. The God of Vengeance. Apollo.—Highly ivanced dirt, hardly justified by one good erformance. Hail and Farewell. this issue. Humoresque. Vanderbilt—To be reviewed ext week, Morosco.—Reviewed It Is the Law. Nora Bayes.—Legitimate nelodrama. The Last Warning. Klaw.— Unique murder ystery, guaranteed to have some sort of ect on you. . The Love Child. George M. Cohan’s. Sidney Blackmer as a French boy hunting ong the friends of the family for his ther. Loyalties. Gayety.—A good show. The Masked Woman. Eltinge.—Regulation achelor-chambers work. The Moscow Art Theatre. St.—Russi Fifty-Ninth "s remarkable actors in repertory. Rain. Marine Elliott’s—Jeanne Eagels in rand showing-up of several revered insti- ons. Roger Bloomer. Forty-Eighth St.—To be viewed next week. Romeo and Juliet, Henry Miller’s.—Jane wl as the sole surviving Jisiet. Seventh Heaven. Booth.—Contains | what known as a “big emotional scene,” ‘omedy and Things Like That | Abie's Irish Rose. Republic—A_ lot of le think that this is funny, which makes wonder about cracy. Ss Anything Might Happen. Comedy.—Re- viewed in this issue. Barnum Was Right. Frazee—To be re- viewed later. ‘he Comedian. Lyceum.—To be reviewed Give and Take. Forty-Ninth St.—Very bad. Icebound. Sam H. Harris—New England drabness enhanced by’ excellent acting. Kiki. Belasco—Lenore Ulric going after the record. The” Laughing Lady. | Longacre—Divorce comedy made notable by Ethel Barrymore. Mary the 3rd. Thirty-Ninth St—Modern facts on marriage stated gently and pleasaptly. Merton of the Movies. Cort.—Glenn Hun- ter dispensing smiles and tears in a winning manner. The Old Soak. Plymouth.—An ordinary play containing an extraordinary character. Polly Preferred. Little—Entertaining, if not important, movie complications. Rita Coventry. Bijou.—Reviewed in this is Secrets, Fulton.—Margaret Lawrence fully capable of carrying three acts of sentiment. So This Is London! Hudson.—Anglo- American relations as the comic papers visual- ie them. tevicwed next week. the soundness of a de-* The Sporting Thing to Do. Ritz—To be Why Not? National.—Brilliantly written satire on divorce laws, You and I. Belmont.—Reviewed in this issue. Eye and Ear Entertainment Better Times. Hippodrome.—This may be your last chance i fore the Hippodrome be- comes a_ hotel. Caroline. Ambassador.—Superior score and a tepid book. The Clinging Vine. Knickerbocker.—Peggy Wood in very satisfactory entertainment. The Dancing Girl. Winter Garden.—You know the Winter Garden. The Gingham Girl. Earl Carroll—Pleas- ant enough, Go Go. Daly’s.—To he reviewed later. The Lady in Ermine, Century.—Continues to appeal to every one who is fortunate enough to be in the audience. Little Nellie Kelly. Liberty.—A George M. Cohan speed show containing some excellent dancing. Music Box Revue. Music Box.—An elab- orate display of money and talent with Bobby Clark as funny man. _Sally, Irene and Mary. Forty-Fourth St.— Eddie Dowling’s hit, which is the veteran musi- cal comedy in town, Sun Showers. Astor.—So-so. She Goes. Playhouse.—Very nice and tuncbal Wildflower. Casino.—A delightful score well sung. Ziegfeld Follies. Ne: msterdam.—Will Ro and the rest, making the Follies the Follies. INTIMATE GLIMPSES OF AMERICAN GENERALS OF INDUSTRY No. 64. Mr. Hoover justifies the claims of his newest five-star supersuction sweeper. comicbooks.com