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Life, 1922-04-06 · page 26 of 38

Life — April 6, 1922 — page 26: what you’re looking at

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Life — April 6, 1922 — page 26: Life, 1922-04-06

What you’re looking at

This is a satirical travel report mocking Hollywood's reputation and reality. The author visits for ten days expecting scandalous behavior—orgies, drug use, violence—but finds Hollywood disappointingly ordinary: a quiet college town where movie people work hard but remain casual and unpretentious. The satire targets both Hollywood's exaggerated public image and the industry itself. The writer visits major studios (Universal, Ince, Paramount) and meets stars like Douglas Fairbanks, Harold Lloyd, and child actor Jackie Coogan, noting they're surprisingly normal and humble despite their fame. The cartoons at bottom appear to illustrate the filmmaking process humorously. The overall tone suggests Life's readership should be amused by the gap between Hollywood's scandalous reputation and its mundane reality—deflating both celebrity mystique and moralistic concerns about the film industry's depravity.

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Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.

Through Hollywood With Gun and Camera OS ANGELES, California (By Wire). After all, Hollywood is a vastly overrated place. Although I have been observing it for as much as ten days, I have attended no orgies (and as heaven is my witness I have spared no effort in trying to locate them), I have seen no murders and I have been offered no cocaine, hasheesh or bhang. Someone told me that he had a friend who knew a man who made fairly good beer in his kitchen, but that is the only sign of lawlessness that I have observed. However, I have not lost hope. Be- fore long I expect to be able to an- nounce that I have found the man who makes the beer. UPERFICIALLY, Hollywood has somewhat the appearance of a quiet college town. The studios take the place of the university buildings and the picture people take the place of the students. All the stores are catering to this one group and display their wares accordingly. Behind the town is Mount Holly- wood, with a tremendous “H” engraved near its summit. This, too, carries out the colfegiate atmosphere, as though the letter had been carved there to commemorate some notable football victory like “Hollywood 28—Culver City 3.” I believe that there is something of the kind on the cliff above New Haven, Conn. HE movie people themselves— the actors, directors, camera men, stage hands, et al—are in no way ex- traordinary. They do not seem to take themselves or their work very seri- Se Paes ously. They are perfectly willing to admit that many of their pictures con- tain a certain element of hokum. One particularly attractive young star in- formed me that she is hungry for New York because she wants “the chance to see a regular show.” They all work hard when they are on duty in the studios (and it seems to be peculiarly dull, tiresome work), but out of office hours they are for the most part casual and easy-going, and no one seems to worry very much whether school keeps or not. F the various studios, Universal City is unquestionably the largest, but at the time of my visit there was little activity there and I saw nothing much except some left-over sets and properties from Von Stroheim’s “Fool- ish Wives.” In the Ince Studio I saw a scene of the interior of Westminster Abbey being converted into a Bowery cab- aret. This studio, by the way, is the most beautiful of all, resembling from the front a stately Southern mansion, with an imposing, green-liveried Negro butler at the door. There were no mint juleps, however. PAID a formal call at the home of young Jackie Coogan and was treated to a recital that included poetry, riddles and impersonations: It is not dificult to understand the tremendous success that this seven-year-old child has suddenly achieved, for in spite o. all the attention that has been show- ered on him, and all the praise, he is singularly naive and unspoiled. Much of this same cuality was evi- dent in the delightful personality of Harold Lloyd, who is actually as comic as he seems. I went out on location with him and watclied him do a scene, laughing immeasurably at his antics. N the Paramount Studio | saw four companies at work, two of which were filming what appeared to be death-bed scenes. It was horribly realistic. The patients may have re- covered after I left, but it seemed to me at the time that there was little hope. OUGLAS FAIRBANKS showed me the settings of his huge new picture—in which he is to be Robin Hood—and gave a remarkable exhibi- tion of archery. He also persuade: me to sit down on his trick sofa, which is electrically wired and gives one a ter- rific shock. We all had a hearty laugh at this. HERE have been other studios visited, including Christie's, Charles Ray's, Buster Keaton’s, Rex Ingram’s, Goldwyn’s, Norma Talmadge’s and Charlie Chaplin’s, and these will be de- scribed next week. In the meantime, the committee on investigation of iniquitous Hollywood is hard at it. and if we don’t find anything sensational it won't be our fault. Ard by the way, I attended a ball given by the inhabitants of this notori- ous community themselves. In all the vast crowd, which included everyone of any note in Hollywood, I observed only two people who were degraded enough to carry flasks. The other one was Mr. James, who is also in the mas business in New York. Roberi E. Sherwood. zine Arthur § comicbooks.com