Life, 1920-01-08 · page 25 of 44
Life — January 8, 1920 — page 25: what you’re looking at
What you’re looking at
This cartoon satirizes theater critics by depicting a grotesque figure in formal dress hovering above a crowd of tiny theatergoers. The exaggerated caricature—with an enormous head and distorted features—represents the critic as a towering, almost monstrous authority figure looming over the public. The title "Oblivion" and the subtitle "The Actor's Idea of the Critic's Job" suggests the satire: actors view critics as destructive forces capable of consigning their work to oblivion. The critic's enlarged proportions emphasize their outsized power to make or break theatrical productions. The surrounding text lists contemporary Broadway shows, dating this to the early 20th century. The cartoon mocks the mutual tension between theater professionals and critics—how actors perceived critics as wielding disproportionate influence over their livelihoods through reviews.
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hello” up-to-date, even with the re- ention of jealousy as a motive, in a odern Venice, with modern characters Ja curious display of pillows used nly for tragic suggestion, i lity. The old play is too great and too fomiliar to make its story usable in ferior narration Metcalfe. MGnfidential~22Guide Gas di an impossi Until Live gets back to its regular 5 ders are cautioned to verify fro tespopers the location and of attractions mentioned. cast Is West. ymer, hinese life acted and by Messrs, Be “The Son-Daughter, n rough Relasco, with Leonore Ul The political conspiracies of China ed to the New York Chinatown in tive stage fashion, -“Ilis Honor Abe Potash,” by (airs. Glass and Goodman, with Mr. Bar Rernard in the title role. Another di in the Potashundperlmutterlied “The Purple Mask”) by Mr Lang, with Mr. Leo Ditrichstein milin’ Throw with later. .ittle Whopper.” by Messrs 4 Friml. Agreeable _girlanct ng the boarding-school motive. ntury.—"* Aphrodite.” uife ut autiful ancient Alexandria de in fe spectach Cohan, Elsie Janis aml “her gang tlife in the A. E. FL in Frar Cohan and Harris—* The Acquittal.” by ta Weiman. Notice later. Comedy.—* My Lady. Friends, Nyvitray and Mandel, with Mr, € by Messrs. a Craw ud. Laughable and well done farcical comedy ti brahai coln,”” by Jokn ater, An English authe a well sen company give most impressive | tues of the great President and bis times in Rome.” by Mr terion Ine Night tley Manners, with Laurette Taylor. The | well fitted with an interesting role in a sual play. mpire.—" ssc," by Zoe Akins, with el Barrys Drama of Anglo-Ame society, admirably presented, Eltinge.—" The Girl in the Limousine, Hopwood. Final and lacghable example of the bedro Street—"* The Storm.” by Mr. Lange n of a forest fire the nelodrama of the Northwest. rth Stre “arnival, Fulton.—* Linger Longer Letty s eccentric dancing the featy with Charlo of a ce siety,—" Lightnin’.” by Messrs, Winchell. Smith and played character comedy. e— Apple Blossoms,” by Messrs. Kreisler, Jacobi Showing the pleasant possibilities of the girl-and-m 1 its bést estate. Gr ch Villag rade sex drama. Harris. —" Weddin, & American comedy, delightfully played. Miller’s.—" The Famous Mrs. F. Blanche Bates and Henry Miller. See above. Hippodrome.—" Happy Days.” Spectacle Hudson.—" Clarence,” by Mr. Rooth Tarkir in somewhat crude but amusing depiction. ~“ Curiosity.” by Mr. H. Austin ay —— . Lyric." The Light of the World Saisson. Notice later. on the Rhine, by Messrs. Collison a m farce a McCo: tinctive feature of a not dis with Mr. Godfrey Tearle. 1 Greenwood, place girl-and-music n.” Reno and its divorce colony supplying a background for asic show i Rells.” by Mr. Salisbury Field. Most amus- * by Mr. James Forbes, ballet and vaudeville. Youthful Indi. ngacre.—" Adam and Eva," by Messrs. Rolton and Middleton. The problem of the extravagant family in amusing, comedy solution, Lycoum.— The Gold Diggers." by Mr. Avery Hopwood, Ina Claire. Some aspects of New York chorus-gir! life vividly shown, ." from the French of Pierre Manhattan Opera House. —“ Forbidden,” by Dorothy Donnelly. Rather talky picturing of life in the American army of occupa THE ACTOR'S IDEA OF THE CRITIC'S Jon Mr, Will with Marjorie Rambeau. Drama of ties, fairly « Clothes.” by Mr, Thompsc of the predicaments of the returned Nera Baves,—" Greenwich Village Follies." New York's counter feit Latin Quarter exploited in girl-and-1 2 Playhouse.—" For the Defence.” by Mr, Elmer Rice Richard Bennett. Well acted absorb sic f with Mr Plymouth. —“ The Jest,” by Mr. Sem Benelli, with Mr, Joba Rarrymore. Florence ‘under the Medicis in strong tion, Matinees above. ramatic exposi ht Lodging,” from the Russian of Gorky. See ightic Night." by Stanley and Matthews, y little } Punch and -" Miss Mil Mubbell, 3 later, Republic.—* The Sign on the Door." by Mr. Channing Pollc Ingenious plot 1 episodes holding the acted sex melodrama. —" Buddies,” by Messrs. Hobart and Hilliam, Romance F, in France with pleasant musical interludes “The Magic Melody.” by Messrs, Kummer and Ror berg. Pretentious but well presented musical play. Standard.— Mme, Mimi Aguglia in“ The Whirlwind.” See above Thirty-ninth St nal,” by Mr, Cosmo Hamilton, Witt: and well done sex co ns," by Messrs. Burnside and ttention close to a well nedy . Vanderbilt.— Irene.” by Messrs. Montgomery and Tierney, with Faith Day. Quite the right sort of a girland-music show __ Winter Garden.—"* The Vassin in the gilded university of pleasure woof 1919." Another course rethe tb. m, comicbooks.com