Life, 1919-11-27 · page 21 of 36
Life — November 27, 1919 — page 21: what you’re looking at
What you’re looking at
This is a theater review section from *Life* magazine, not primarily a political cartoon. The page features a single sketch titled "PROFESSIONAL COURTESY" showing what appears to be a theatrical scene with multiple figures on a stage or balcony. The sketch illustrates a review of Broadway productions, with the accompanying text discussing performer Charlotte Greenwood and her abilities in the musical "Irene." The satire is theatrical rather than political: Greenwood is praised for her physical flexibility and "universal-jointed" body, yet the reviewer notes she cannot elevate the "ordinary girl-and-music show" format beyond its limitations. The page primarily catalogues current New York theater offerings—mostly girl-and-music comedies of the era—reviewing plots, casts, and entertainment value. References include productions like "The Storm," "Aphrodite," and "Palmy Days." The tone is lighthearted critique of popular entertainment rather than social or political commentary.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
899 Forty-eighth Street—"The Storm.” by Mr Langdon McCormick. Highly storated forest fire scene, made to stimulate interest in a rather commonp'ace melod: a of the Northwest Forty-fourth Stre Nothing “but Love. Messrs. Stammers and Orlob Girl-and-m show, very like its competitors in the same Le Letty," with Ch by Messr Winchell Comedy of diverce li cast, well played, and laughable —"The Rise of Silas Lapham,” with s K. Hackett pple B Le Baron. A t Parnel Harri Chatterton. W mental comedy PROFESSIONAL COURTESY With Charlotte Greenwood it is differ and distributed abilities of Edith Day Ricctcriat ent. Like most successful high-kickers, | She can sing, not with a big voice, but sa 3 ‘Adam and Eva," t she is loose-jointed. She is more than prettily; she can dance; she is quite ¢ nd Mid) Sket that; she is universal-jointed. With no comedienne, and she can be looked at nan extravagant family. apparent effort, her fect arise above her for a good deal of time without tiring The Gold Diggers.” by Mr. Ave head at any angle and in any direction. the looker. Mr. James Montgomery + from clevating ¢ ‘ But alas! with all of Charlotte Green- has supplied to ‘Irene’? a book with a d It us girl life wood's kicking and other ability, she is plot and considerable fun, and Mr ,£3rl—e"The Rose of | China not able to makeof “Linger Longer Tierney has written tuneful music, which Matinees. “The Dancer.” by Letty" anything but an ordinary girl- is not a slavish imitation of its prede Locke. Little and-music show. cessors in the same line. dancer's ft My The ordinary brainless girl-and-music dexiace Tee U W Marjorie BL nd Mr. Willard Mac a Sa ZIP} <> show is the pest of the theatre, but Rambeau. Rather primitive dr occasionally there comes alor one sex episode in political life RENE" is also girl-and-music, but it like “Irene,” to explain what perhaps ©3fely isterestings is considerably more than ordinary, the others are trying to be. ton Bachanan, + Please dy up-to-date largely on account of the personal charm Metcalfe. using the returned er for its theme Nora Bayes.—"Greenwich Village Follies ‘ew York's freak colony tumed into girl-and music fun. Playhouse.—“Palmy Days.” by Mr. Av t Thomas with Mr. Wilton Lackaye Thoroughly American drama of m days in California and theatrical reminiscence. Well done Plymouth —"The Jest.” by Mr. Sem Bene Until LUPE gets back to its regular schedule, Harbach and Friml. Tuneful and diverting with Messrs. John and Lionel Barrymore. Pics readers are cautioned to verify from the dail girl-and-music show. turesque and powerful play of the period of the Papers the location and continuance of atiractions Century.—"Aphrodite."" Notice later Medicis. Admirably staged mentioned : The Little Blue Devil.” Very Pri je Night.” by Stanley and Astor.—"“East is West.” by Messrs. Shipman ry girl-and-music show Maithens” Festive face with are vid and Hymer, with Pay Bainter as the star. Intes Cohan and Harris,—"Vhe Royal Vai Republic-—"A he Dark,” by Mr. esting and. well-acted depiction of phases of Girl-and-music show, with more than the cus- Ralnk B Dyar C Dae 3 ph E. Dyar. Crime and mystery mixed. Chinese-American life. tomary allowance of vivacity <GeousUudilies® tr Manta ticcek aod Belasco.—"The Son-Daughter.” by Messrs. Comedy.—"Fifty-Pifty, Ltd.” “All the Com. ,,Stlyt-—"Buddies.” by Messrs, Hobart an Scarborough and Belasco. Sce above. forts of Home,” supplying the backbone for Hillam. Agreeable com ae he eee Bijou.—"His Honor Abe Potash,” by Messrs. d-music show of the customary calibre. bers and « romance of ¢ & Es te France Montague Glass and J. E. Goodman, with Mr. ta Minute.” Girl-and-music show _Shubert—"The Magic Melody,” by Mes Barney Bernard in the title role. Another epoch of the usual kind. Kummer and Romberg. Curious, but intere in the life of the senior mi he cel Criterion—"One Night in Rome,” by Mr, and tuneful muscial play running an eaten firm of Potash and Perl laug! Hartley Manners, with Laurette Taylor. gamut in m ind drama as the o' Empire.—"Déclasée” by Zo€ Akins. Thirty-ninth Street.—" dal.” by Mr. C Booth.—"Too Many Husbands,"* by W. Ethel Barrymore. Interesting society dran Hamilton. Sex comedy, clever Somerset Maugham. Trivial, but well played with well-chosen cast and the star at her best Vanderbilt —“Irene,” by Messrs. 3 mery very light English comedy. Eltinge —"The Girl in the Limousine,” and Ticrney. above Broadhurst.—*Tte Crimson Alibi.” by Messrs Messrs, lison and Hopwood. The bedroom Winter Garden. —""The Passing Show of 1919. Coben and Broadhurst. Crime melodrama, wi! overworked ass farce mi sir The rite shrine tis aaual’ a conti bsorbing mystery. but with an evident weakenir : gorgeous interest for a © more Casino. The Little Wh ae provoking po vers than usually faithful burle comicbooks.com