Life, 1915-12-09 · page 17 of 48
Life — December 9, 1915 — page 17: what you’re looking at
What you’re looking at
This page presents "One Way—and Another," a short story from Life magazine's contest. The narrative depicts a tragic encounter between Tough Muggins, a street-tough character, and Molly, a desperate young woman on a bridge. The story reflects early 20th-century social attitudes: Molly, pregnant and unmarried, was fired from her respectable employer's household. Her employer's dismissal—"plenty of chances for you to start again"—represents sanctimonious hypocrisy masking class cruelty. Molly gave away her baby and now contemplates suicide. Tough represents the working-class vernacular character common in period fiction ("livin' proposition," "swell folks"). The story's moral weight comes from depicting how social stigma and economic desperation drove women toward self-destruction, with the implication that Molly has thrown herself (or her baby) into the river. The ending—abrupt and ambiguous—serves the contest's apparent goal: publishing emotionally affecting stories about life's hardships. The tale critiques both the callousness of the wealthy and the limited options available to women in poverty.
📄 Transcribed text from this page (OCR, searchable)
Machine-transcribed from the original scan — historical spelling and the odd misread are preserved.
The contest closed on October 4th. So many thousands of manuscripts have been received, each one necessitating a careful reading, that our friends are invited to exercise all due patience. We shall continue to publish the stories accepted each week in th's department until all the manuscripts have been passed upon; and as soon thereafter as possible the prizes will be awarded, One Way—and Another By Noble May “THAT'S where my finish will be,” said the girl. She rested her odd- looking bundle on the railing of the bridge and looked moodily down into the river. Tough Muggins wasn't particularly strong on the conventionalities, but he had stopped on the bridge to look at the river coquetting under the moon's rays, not to listen to idle talk from strange girls. It listened like a touch, too, so he slid an indifferent eye around in the girl’s direction and advised her to chop it. Something, however, about the tense look of her as she gazed fiercely down into the rippling water compelled him, in spite of his natural inclination, to carry the matter slightly further. “What's got you sore on the livin’ proposition?” he asked grudgingly. If he had expected melodrama he was doomed to disappointment. “Same old trouble,” she said, quietly. “IT was workin’ for some swell folks up on the North Side—real swells they was, believe me. They thought I was bad. Maybe I am. I don’t know. He promised. What more could a girl expect? When they found out, the lady she says to me, ‘Of course, I can't keep you here, Molly. It wouldn't be right for me with two daughters cf my own, but I'm awful sorry and I hope it'll be a lesson to you. There's plenty of chances for you to start again. It ain't never too late to turn over a new leaf. Don't tum- ble down them stairs,’ she says when I kind of stumbled. Like it would make any difference! Then she shut the door on me, ‘There's plenty of chances for you to begin over again,’ That's what she said. Lord, ain't it funny?” cried the girl. Her laugh rang out high and shrill, seeming to cut into the clear dark- ness. Tough agreed that it was funny. Hav- ing, perhaps, less sense of humor than Molly, he qualified the statement by ad- ding that it was kind of tough also. “How about the fella?” he asked casually. “Ditched me,” replied the girl. “ Af- ter I come out the horspittle I never seen hide nor hair of him. Gee,” she concluded, bitterly, “I was crazy about that lad.” “Must ‘a been a kind of a mean skunk, though,” judged Tough. “How about the kid?” The girl's eyes sought the glittering river. “I give it away,” she told him, finally. “Oh!” ejaculated Tough. The girl seemed to feel a tentative re- buke in this. “ What could I do?” she asked. “I tried to get another job be- fore—and I couldn't. I don't know’s Till try again. There's easier ways "— the sentence hung suspended for a mo- ment— “you know.” There was no polite veil of assumed ignorance thrown over such situations in the circle in which Tough moved. He knew, of course. Still—— . “There's better ways,” he ventured. Tough was startled at the flash of anger that lit up the girl's shrunken face. For a moment she looked as if she would strike him, Then, with a sharp, quick movement, she buried her face in the covering of the bundle which she had been holding lightly on the railing of the bridge. The next instant Tough heard a soft splash as something struck the water. “There's that way,” a voice shrieked in his ear, Tough sprang to the railing and looked down. “Gawd a'mighty, girl!” he panted. “IT seen—seen—Gawd, woman! "—he moistened his dry lips—“ was it—say, it wasn't the kid?” Molly burst laugh. “Sure it was,” she cried. “I doped it a-purpose. I been trying to get up the nerve to do it ever since this morn- ing. Do you think I was going to let her grow up into a thing like her mother? Man, you're crazy.” into a blood-curdling Tough's coat had been already flung off. “ Don’t be a quitter, girl,” he gasped. “Run for the cop and tell him to put out a boat, and then you wait for me. We'll save her and she'll be an all-right one and like her mother, too.” Just how near Tough came to seeing his finish there in the rays of the moon which he loved nobody but Tough ever knew. It was easy enough to swim with the current and overtake and seize the tiny bundle held up for the moment on the surface of the water by the ex- panding draperies. It was when he turned and tried to swim back to the bridge that the waves pushed and beat at him like cruel hands. He thought somebody was trying to strangle him. What were they hanging to his feet for? Why did they push him and strike him, He wouldn't go that way. He had to go the other way. He must make them quit twisting him. And then through the awful pounding at his brain came a cheery voice. “Ketch a hold, bo. Ketch a hold.” Sputtering, gasping, sick, exhausted, Tough hitched his elbows weakly over the side and let the unconscious thing he had so nearly lost his life for slip gently into the bottom of the boat. “Why, it's Tough Muggins,” said the officer, looking down into his face. “For the lova Mike, what was you doin’? Through the dank drip of his hair Tough winked. “T just dropped in to get a drink,” he said. “I belong to the cop family and I got the habit.” It was not until the boat had ground it- self gratingly up against the rough stone ledge that served for a landing that Tough openly acknowledged Policeman Connelley’s right to an explanation of a sort. He jerked his head toward Molly, who stood, wild-eyed and trembling, on the narrow ledge above. “My girl,” he said succinctly, “We was scrappin’, and she pitched my bundle of clothes that I was fetchin’ home over- board. There was money in the pants he added by way of gracious explana- tion, “That was why I jumped in after ‘em. “ Didn't know you had a girl, Tough.” Big Jim Connelley may have had his sus. picions, but his tone was of the most conventional. “That so?” inquired Tough as he comicbooks.com